the E.T. – EROS Introduction | Novaborn | J the Alien

EROS introduction

the E.T. presents:

EROS INTRODUCTION

Introducing EROS

EROS INTRODUCTION: The EROS album is definitely a step-up from my previous work. The mix quality as well as the writing is just on another level (thanks to a lot of hard work). I am attempting to write songs with a new degree of depth, EROS is a result of that search. Now for the EROS introduction, my latest work and music that I am very proud to present to you.

I have taken a lot of influence recently from old rock music, especially Pink Floyd, the Beetles, Led Zeppelin, and Jimmy Hendrix, specifically. The ideas of concept albums and how Pink Floyd used them to talk about ideas that are pervasive to the human experience. I’m in love with how Led Zeppelin plays to ideas and how all of the artists create stories with their music. Especially Hendrix.

So I have attempted to adapt my own methodology to create a concept for an album that I think can stand the test of time. EROS is an alien concentration camp of Mar’s moon that all of my tracks focus around. I am almost finished writing the tracks built around these concepts and there is a full storyline to accompany it. EROS tracks has been nearly 6 months in the making! So here’s the story.

EROS was originally going to be a trilogy

 

I decided to cut down the track count to about 7 or 8 and just take the best. I have also signed one of the tracks to a label. More on that later. Now to introduce EROS and the Universe that exists around the alien concentration camp.

EROS Introduction

Part 1: Introducing J the Alien

Introducing the main character of the Saga, J the Alien. J is an alien, in fact, he is the last being of his race, a once populous and prodigiously successful civilization until the collapse of their neutron star. Now a being must be born into a collapsing star in order to absorb the necessary energy into the incubation process. The energy requirements are so enormous that a birth causes the neutron stars to collapse within a millenia. The Novaborn live until they are killed.

Novaborn – the birth

Future Bass Hybrid

Novaborn is the story of J’s birth, the first part of the EROS introduction. He was birthed without any knowledge of his ancestry into the darkness of space. Upon waking for the first time post-incubation, J is guided via the Novaborn AI, Celexa to his new homeworld, Celexus. Celexa encountered a planet during the incubation process and already begun the terraforming process to make the atmosphere suitable for J to arrive and begin mining the crust. His first quest inundates J with knowledge about his species, their energy consumption, the energy costs of his own life, and the recognition that he is the only one of his kind. J’s life is a search for energy, to keep himself alive and to revive the Novaborn species.

J the Alien – Introducing the main character

Future Electro

J is a very unique character that I am very excited to share. I had an entire album built to explore J’s universe and existence. But I scrapped 5 tracks and combined the rest into the EROS saga. J has all kinds of incredible technology and unique attributes. Luckily, these attributes  make for harrowing and mind-melting adventures through the cosmos. I will release the next tracks ‘very soon;.

I will be releasing more music within the next three days, most notably Positron, which is at the basis for J’s technology and existence. Also check out this music video for Novaborn in the meantime:

Also, check out my previous album, HAZE.

New Music and more Focus on Yoga

Morgan Page - the E.T. remix

Morgan Page – Beautiful Disaster (the E.T. remix)

This past week has been great for my yoga practice and also my music writing, usually the two go together for me. Hence the above remix of Morgan Page – Beautiful Disaster. The vocals are fantastic, I really hope you like the mix!

I subscribe to a sample library that I have a certain amount of download credits to each month so that I can download professional sounds, mostly drums and specialty synthesizer sounds or vocals. They are royalty free, but I always manipulate them enough to make them unrecognizable anyways.

They have remix contests and this contest in particular had some excellent vocals to work with, which I was looking for in Splice anyways, so I decided to just go ahead and do a remix instead.

So my latest track was a fantastic mix-down experience because I got to work closely with vocal samples to making them fit into the overall house mix that I created to accompany it. The vocals make the track stand out against a lot of my other work, but the sound design is very similar and the leads are Juno emulations.

I took a lot of new sound design techniques that I have been working with and applied them to the stems that were provided. The track is pretty simple, but the drum-beat is very original and the bass is super dope, I seriously can’t wait to hear it on a louder system. Part of the reason I make music is that I like bass music and house so much; it gives me a good perspective on going after the future of the genres and market.

The percussion also keeps the track moving at all time, while an electro stab that I added creates a bit of contrasting melody against the chords of the track, just to spice it up and provide a bit of my own flavor. I think the best part of the track are the FX and the beat. On some louder speakers those drums will smash.

Anyways, I hope you like the track. I can’t offer you a download, but here are the streaming links:

Soundcloud – Stream and let me know what you think of it.

Splice Contest – Vote for me!

Crave – the E.T. [Electro-House]

Crave - the E.T. (cover photo)

Crave – The E.T.


Crave came together over the course of a few months, the layering of the lead synths took a while to plan. I feel like this is one of my best produced tracks yet and I certainly put a good amount of time into it.

It doesn’t exactly fit into what I am getting ready to create with my next album, but I certainly feel that the track is well written, so I am releasing it as possibly one of my last singles. I am feeling heavily into writing albums and am pretty excited about the idea of creating themes around the tracks to give them more purpose.

Electro-House and Modern EDM

For the past week I haven’t even been listening to much EDM. I’ve been actually getting really excited about older Pink Floyd tracks to find sounds that are more uniquely dissonant and distorted. Their older work certainly contains some mastery. This track is another experimental attempt at trying to create the sounds that meld together into a seizing rhythm of house beats.

Y – Future House

Y is OUT NOW!!!

That is apparently optimal wording for a new track release. You can download the track below, let me know if you have any difficulties.

I used a combination of my favorite drums samples from some Splice packs that I have been collecting for over a year now. The kick is from the Deadmau5 pack, it has some of my favorite drums sounds. The hats in this track are very uniquely arranged, I feel like they add a tremendous amount of momentum.

The Bass is heavily modulated and I’ve create three different layers for it. It should really shine on larger systems.

The Lead is yet another JUNO synth sound, which is still my favorite. I’ve added like 5 different FX channels to it that are all mixed into the drums to give some awesome melodic and pad pumping effects.

The composition came together rather quickly, I am sometimes really surprised at how it just seems to happen on some days when I devote myself to it.

Anyways, I hope you enjoy the track, I will hopefully have time to make a music video for it in the next week or so.

<3 E.T.

the E.T. Harmony Remix and the pursuit of Signature Sounds

Harmony Remix

CloZee – Harmony (the E.T. remix)

Get ready for the Harmony Remix, the E.T.’s best track yet. Turn up your speakers to max and clear the tables around you before your insanity commences!

 

the E.T.’s Harmony Remix

This might be the most amount of time I’ve spent on a track. I spent a lot of time getting familiar with the sound design that CloZee uses and learning the key of F minor, which I must say made the experience worth it by itself. This was a great opportunity to learn about some very unique instruments. CloZee makes world music which nearly always uses live instrumentation. This also means that she uses a ton of different instruments.

I focused on re-using her Erhu, Harmonium, Khuur, Zither, Bass, and Guitar samples in the Harmony remix. This is a great Complextro, Bass-House track because her influence is so visible throughout the track. There is a good amount of glitch percussion and weird Bass designs to accompany what is mostly re-used samples from the contest site. I didn’t even experiment with key changes at all, I tried to make the track as recognizable a Harmony remix as possible.

I also created some heavy Bass sounds and creating a darker atmosphere for the track, though I keep the melody in F minor. The percussion mix is solid, I hope you enjoy making dance moves to it.

Sub bass is mixed in properly. My favorite part of the track is the arpeggiated vocal melody that moves fully into the track at the last drop. Initially that last drop was going to be the end of the track, but I couldn’t help but think ‘what a waste of energy!’ so I re-did it. I hope you like the finished version. This track is one of my more cohesive arrangements and most certainly has some of my best mixing and sound design.

The Composition of CloZee’s Harmony – the E.T. remix

The introduction last about 30 seconds and introduces a completely new drumkit, but I did use her clap sound as a layer in the drum rack I used. I added several House Bass sounds to the track as well as re-using CloZee’s mid bass sound in the intro to the 4 bar Complextro loops that the tracks breaks into.

The sub bass keeps the track rolling throughout and little breaks for the heavy bass sounds make for a funky and somewhat unpredictable beat, which I love having in House tracks. It makes the track so much easier to dance to. Verse 1 also introduced my vocal manipulations and the guitar melody that finishes the loops along with the Bass plucks.

I did a good amount of EQ’ing on the various sounds, but I like to keep my EQ’ing to a minimum because sometimes it causes the sounds to lose a lot of texture.

The Final drop is a proper crescendo and introduces a new melody that I created with the vocal samples that were introduced in Verse 1. The Erhu is continuous throughout the track and I feel like that instrument, along with the harmonium make the track instantly recognizable as a CloZee remix. I hope I did the original track at least a bit of justice…

Finally making Glitch-Hop

this new wave of production is going to be epic; I got into music because I loved Glitch-Hop and how it could just drop into a crazy beat out of nowhere, so CloZee’s music has been great to experience while I improve my production skills. BROKE is a milestone for the E.T. that I am really excited about, and will continue to create tracks that remind us that perfection is for robots! I have a track that I’m working on right now called Tinkerbox. It will take the production style of Broke into a new universe.

Finding & Creating Signature Sounds

Lately I have been working heavily with the Juno waveforms within Serum. I created an emulation and it’s by far one of my favorite sounds to use in my tracks. I have also created quite a few pads and ambient sounds with it, but I think it’s use in Glitch music will be the most interesting way to use it.

I’ve also worked hard to good at manipulating vocals into Melodies and Glitch sounds. I continue to experiment and play with the textures and transients (initial hits) of manipulating vocals. They say this is how Kanye made all of his music. Honestly the human voice is incredibly pleasing to the ears, so its probably true.

I designed 90% of the bass sounds in this track. Everything except for the weird lazer Glitch sound CloZee used in the original Harmony mix.  I am now better at mixing as a result of spending so much time on sound design.

A New Wave of the E.T.

I have like 5 tracks in the works right now, including a bombaf TECHNO track called Position. Named after Issaac Assimov’s idea for AI. It reminds me of Gesaffelstein and Pursuit. Also, Digitalism just released a new track, Spectrum which is an awesome dance track! One of my favorite new tracks, I will definitely be fitting it into my live sets. The louder I play it, the better it sounds!

My plan is to DJ a friends B-day party later in the month. I think I might play some originals, but getting people dancing will be so much fun. DJing is super fun with cool people. Right now, I feel pretty repressed when it comes to music, so it should be a great time!

the E.T. continues to improve with my ears, skill-set, and ability to produce music. A lot of this new music is unique; I am turning a corner into a new realm of quality. Definitely shoot me some feedback if you have some!

There is a new FORCE music video up on Youtube, you can subscribe to my channel here, definitely the coolest one I’ve made to date.

Check back soon for more music updates, free tracks, and links to all of the coolest ish on the webs.

Thanks for reading,

Elliot

Clozee’s Unique Style of EDM takes the West Coast by Storm

CloZee Harmony

clozee_portrait
Clozee – Bringing in the Future of Bass Music

Clozee’s music is a dynamic fusion of influences. Categorized into the genre of World-Bass Music, CloZee brings a fresh take on EDM, combining eastern instrumentation with western bass music and creating a fusion that is uniquely identifiable as her own style of music.

Dafuq is CloZee?

CloZee is the musical alias of Chloe Herry, a 25?y/o native French speaker from Toulouse, in southern France, which is really cool, I would love to speak some French with her (cause southern speakers are much easier to understand than native Parisians, which is where I learned).

CloZee didn’t release a single track until she was 19 and her popularity grew from humble beginnings. Chloe is a classical guitarist and she uses her instrumentation to create the soaring melodies you can hear in all of her tracks. She specifically uses FL studio and gives massive praise to the stock effects, which are normally highly undervalued, especially by beginner producers.

Eastern Instruments in CloZee productions

A BIG part of CloZee’s sound is her use of eastern and unique instrumentation. In her latest album, Harmony, CloZee utilizes a Guzheng, or Chinese Zither or harp which has been used for over 2,500 years. She also uses a Harmonium as her lead Synth, a Morin Khurr (Mongolian Horsehead Fiddle) for increased texture and to add sensation to the overall feel of the track, and finally an Erhu to compliment the other instruments in the higher frequencies. She also uses saxophones, unique drum samples, and funky percussive arrangements to create some of the best dance music I’ve ever experienced. I know she is also using other instruments, but these are the ones that I was able to pick up on. She also loves to use different kinds of flutes and her guitar melodies are always on point.

Harmony is a fantastic name for the main track of the album, and honestly it’s hard for me to understand why it isn’t her most popular track. Probably because Inner Peace and Koto are also powerful compositions, each a journey in their own respect. Expect big things from CloZee’s music as Chloe continues to evolve, she keeps getting better and better!

A Pioneer of World Music and Bass Fusion

CloZee’s music is uniquely cinematic. The combination of sounds that she uses nearly always leads itself to different experiences while listening to her tracks. Each track is very unique and seems to evolve as my taste in music grows. Here are my favorite tracks from her discography.

CloZee’s Top 5 Tracks:

  • 1 Inner Peace

  • 2 Aspara Calling

  • 3 Harmony

  • 4 Koto

  • 5 Red Forest

The Modern State of Music and the Future of Bass Music

CloZee will undoubtedly have a big influence on the future of Bass music (see this article on the top artists), she is pioneering into unexplored territory with her current products, so get ready for some mind-blowing work.

She has partnered with Psymbionic for her last US tour, which was great because I feel like both of their music is extremely different and powerful. Looking forward to seeing her live!

You can buy CloZee’s latest album HARMONY here: GRAVITAS RECORDINGS

AND make sure you follow Chloe’s Soundcloud, she will probably release new music soon! Also check her out on Spotify, Youtube, and the other streaming networks. I won’t be surprised if her music is in a movie soon!

Sources

  1. FEEDBANDS
  2. CLOZEE MUSIC SITE
  3. IMAGE LINE BIO
  4. GLITCH HOP COMMUNITY INTERVIEW
  5. BASS FEEDS THE SOUL
  6. CLOZEE’S HARMONY ON SALE @ GRAVITAS

 

Journal Update: Finding ways to Create

Updates from the Thunderdome

This is going to be more of a personal update, I’m may just be probably almost about to go on a rant.

This week someone grabbed my phone from the back of the yoga studio I instruct at and trashed my phone. They didn’t even sell it or anything. Just ruined it. What a waste of an amazing piece of technology, humph.

So now I am blessed to have no phone enslavements and am just doing my best to simply continue onward. It’s just kind of disheartening to feel like my space was dishonored and some idiot who can’t even properly steal things trashed my stuff. I even think I know the person that stole the phone and I’m just disappointed in the whole situation. What a fucking waste of time! Nothing is more useless than some of these entitled, poor americans who feel like they deserve things and aren’t willing to work hard for anything.

The NFL is a great equivalent to this. What the fuck are those players doing? I don’t even think they really know what they are fighting for/against. I really feel like it is far more of an anti-establishment movement than an anti-cop movement. I mean, Obama is far more of a reason that minorities in this country are suffering than cops are; he basically tried to enslave the citizens of American to the corporate government allied banks. Worst president since Regan imho, and that is completely nuts, considering the Bushes were in office. The American media are huge liars, in so many aspects. What a bunch of idiots. But it’s probably this way simply because the banks & government own them. Watching the news has become so toxic, they literally just lie and embellish the entire time. So I only watch HBO now. WOOHOO WESTWORLD IS AMAZING!!! (just started yesterday) and I just watch a tiny, itsy bit of netflix here and there.

So here I am just spending all of my time creating yoga classes and music and writing and painting as much as I can, but I have also picked up some work trimming in GV to pay the bills. But now I have to figure out this whole phone thing, because I use it for all my music in yoga classes and I have been wanting/preparing to start a youtube channel for about 3 months so I need to camera. So yeah, money money money. BOO. I hate money :/

Always Working Hard on Yoga Instruction

I am still teaching 7 yoga classes a week, at East Wind Yoga in Auburn and Roseville and am constantly improving my delivery of cues and my dialogue. I am passionate, it is a calling, I love working with the yogis more than anything else. I am breaking through barriers, learning how to connect on deeper levels, and am teaching people how to use, honor, and appreciate their bodies as they learn to use them sustainably. I feel like it is part of what I am meant to do here. Maintaining my own practice while I teach is the most difficult part of this, but I am making it work. I could use another trip to India, honestly. The space that I had to practice there last time was nothing short of blissful.

I am writing a book that I am really excited about and am going to turn it into a beginner youtube tutorial series. It’s called, “Practice Yoga” and will be 25 chapter, or 25 days of practice. The idea is to “work up” to the final day, which is an advanced adaptation of the intermediate series of Ashtanga. I will also start a workshop for the primary series pretty soon here. Definitely excited for those things.

Exposing ‘the E.T.’ and the HAZE Album

Right now I am trying to use twitter and not getting any traction. Music is hard to submit to others because it is so unique and I really feel like people don’t give new, unique music a chance from people who are completely unknown.

I’m not playing any shows right now, which makes it kind of rough for me cause I spent the vast majority of my free time (whenever I’m not teaching yoga) to make music. I just wanna dance with the partiers!

For a few months I have been starting a youtube channel for ‘the E.T.’, and soon I will start live streaming out to all of my followers from my production sessions. I’m also considering making some sound design and mixing tutorials, which could be a really cool addition to what ‘the E.T.’ can bring to fans.

Oh and make sure you check out my HyperDrive music video, I think it’s the best one yet.

Letting go of what isn’t necessary

There’s no point in stressing out over my phone. At least something worse didn’t happen, but it is so damn annoying to have to spend my time on that, when I have so many other projects that I am working on. Oh yeah, I’m also finishing another painting! This one is super cool 😀

Lessons in Confidence and the Immediate Future

Right now, I am in the grind. Simply trying to get better at everything that I do, from teaching yoga, to writing music, to this blog, to creating new media for people to digest. I want to be able to offer the highest quality of service (because that is what I value) and want to be able to deliver before I start taking major leaps of faith, i.e. my first show as ‘the E.T.’.

When I step on stage, I want to have full confidence in my ability to deliver my message. If the audience doesn’t like it or appreciate it or whatever, that’s fine, but I want to appreciate it. Otherwise, what is the point? So I’m letting my confidence build and build as my skill level rises and can’t wait to see where all of these amazing projects take me.

Thanks for reading, happy Monday everybody! Tomorrow night’s yoga class is going to be fun, the class is going to be one of the most challenging ever!!

 

 

Bleep Bloops Bass Sounds will leave you wondering what planet you’re on.

Bleep Bloop’s Music Rages Ahead of Modern EDM

Bleep Bloop or Aaron Triggs is a future legendary Trap producer. He continues to make a name for himself in the bass scene, making future trap and heavy dubstep with G Jones, Proko, NastyNasty and Yheti.

Bleep Bloop uses some interesting and mysterious gear, though its well rumored that he uses a moog sub phatty for a lot of his tracks. Fat licks and heavily distorted industrial inspired basses lace his thick trap beats. His style is pretty similar to G Jones, and they have a good amount of tracks together. Proko and Bleep Bloop made one of my favorite tracks together, Disc Error, definitely listen on soundcloud.

Expect Big Things

Bleep Bloop is leading the way in a style of music that is new to the scene. His dubstep is starting to pick up some massive traction. This year he’ll be supporting Rezz on tour. The quality of his music will only continue to improve with time if he continues to do what he is doing. That makes me pretty excited for the future of EDM.

The West Coast Bass Scene has a lot to look forward to….

Combined with Eprom, G Jones, Proko, Yheti, etc the bass scene in the west has a lot to look forward to. Bleep creates some wonky analogue style sound designs and layers on some thick bass. Then he maxes out distortion and smashes the side chain for some face melting beats. Bleep Bloop brings it when he plays so if you ever get a chance, make sure you’re ready for this kid to blow your mind.

Check out his PV500 Mixtape

Bleep Bloop’s Latest EP: ‘the EP with Five Eyes’

Top 5 Tracks

  1. Water on Mars
  2. Slippin
  3. 404
  4. Disc Error
  5. Venom

Upcoming Tour Dates

 

 

 

G Jones continues to excite with his unique style of Future Trap/Dubstep

G Jones

G Jones – Experimental Bass at its Finest

G Jones is a pioneer of the electronic music scene and has been pushing the boundaries of live performance DJing in the underground for several years. He has played under a few different aliases including Grizzly J, . Greg Jones is the creator’s real name. But G Jones is what the bass music fans are  shrieking alongside Bass Nectar, Bleep Bloop, Yheti, the Widdler, Bleep Bloop, Zeds Dead, Nasty Nasty, and Pretty Lights.

Jones has created with several artists and is definitely a rising star of the bass music scene. His latest album “Visions” is one of the most unique albums ever. It blasts distinctly unique bass sounds designed for louder systems. Check out the album below, stream it on youtube or BUY THE ALBUM (def worth it.)

G Jones’ soundcloud is chalked full of hits so make sure you check out his unique style of dubstep and future trap. Not really sure which it is. Don’t really care.

His latest release of Eprom’s Pineapple is completely ridiculous and true to the style of Visions, which is fairly evolved from his ‘EYES EP‘ four years ago. Also check out his collaborations with Bleep Bloop, including the 4 track ‘MIND EP‘. Also check out Bleep Bloop’s entire discography to melt your brain a bit, the dude has some seriously talented ears for dropping massive and unpredictably delectable dubstep beats into your lap.

Top G Jones Tracks

listen to some of my favorite G Jones tracks below:

G Jones Visual Style

G Jones, like many of the experimental bass artists on the West Coast Underground (see my list of top artists here) is still developing his visual style, however, the momentum that he has going right now is pretty incredible. He has started to team up with Bass Nectar, so expect this artist’s visuals to start pushing EDM further.

The west coast bass scene is continually undergoing major changes. The industry continues to move at a faster and more tremendously unpredictable pace. We get to see how Greg develops the brand of G Jones. And how he continues to reach the underground as he becomes more and more popular.

The Future of Trap and Bass Music

Huge sets in 2018 as well are new releases are a must. Expect this artist to shine in the years to come. Huge releases from Yheti, Bleep Bloop, and Proko lead one to get really excited for the potential of the entire bass music scene. 2018 will be huge for the bass music scene in California as it continues to mature. Find some more info below.

Sources & Links & Stuff