Halloween : Origins and Traditions

Halloween marks the end of the harvest season and beginning of the darker half of the year, but its original nature is far more sacrificial and superstitious and also multicultural! Although many of the traditions that we now celebrate come from ancient Ireland, there are several cultures that have contributed to what is now celebrated as Halloween.

Celtic – Samhain Festivities

Halloween as we know it today mostly comes from a Celtic tradition and known as Samhain; a three day festival called ‘the feast of the dead’ where they would celebrate the harvest, build massive bonfires, dress up in costumes, feast, drink, and participate in divination and fortune telling.

Samhain, also known as the origin of Halloween, was a powerful and special demon of Hell and was one of the 66 Seals. He could only rise when summoned by two powerful witches through three blood sacrifices over three days, with the last sacrifice day on the final harvest, Halloween.

There are many rituals associated with Samhain today. These include dancing, feasting, taking walks, and building altars to honor ancestors. There are many parts to the altars Wiccans build. To symbolize the end of the harvest, they include apples, pumpkins, and several other fall crops. Neolithic passage tombs in Ireland are aligned with the sunrise at the time of Samhain, so this was a very important festival for the ancient inhabitants of Ireland.

Mexican – Dia De Los Muertos

This holiday actually arrives the couple of days after the traditional Samhain on November 1st and 2nd. The tradition is far more joyful and colorful than the Western Christian counterpart and focuses on humor and celebrations of the departed rather than mourning.

Traditions connected with the holiday include honoring the deceased using calaveras and aztec marigold flowers known as cempazúchitl, building home altars called ofrendas with the favorite foods and beverages of the departed, and visiting graves with these items as gifts for the deceased.

According to colonial period records, the Aztec empire was formed in A.D. 1427, only about a century before the arrival of Spanish . But the celebration that Mexicans now call Día de los Muertos almost certainly existed many centuries earlier, perhaps originating with the Toltec people of central Mexico. So the Toltec people may have been the first to celebrate this wonderful holiday. Mictecacihuatl is the “lady of the dead” and is said to watch over the bones of the dead and swallow the stars during the day.

Mictecacihuatl

The goddess of the underworld and the dead is often depicted with flayed skin and a gaping, skeletal jaw – was linked to both death and resurrection. According to one myth, Mictecacihuatl and her husband collected bones so that they might be returned to the land of the living and restored by the gods. 

The Aztecs appeased these fearsome underworld gods by burying their dead with food and precious objects. 

Archaeologists and historians know relatively little about the details of the month-long celebration of Mictecacihuatl, but say it likely involved burning incense, song and dance, and blood sacrifice – customary practices in many Aztec rituals.

Western Christian (Roman) – Halloween

Halloween, or All Hallows Eve, or All Saints Evening is a celebration of saints, martyrs, and the departed. One theory holds that many Halloween traditions were influenced by Celtic harvest festivals, particularly the Gaelic festival Samhain, which are believed to have pagan roots;[12][13][14][15] some go further and suggest that Samhain may have been Christianized as All Hallow’s Day, along with its eve, by the early Church.[16] Celebrated in Ireland and Scotland for centuries, Irish and Scottish migrants brought Halloween customs to North America in the 19th century, which is where most scholars believe the tradition evolved.

For some people, the Christian religious observances of All Hallows’ Eve, including attending church services and lighting candles on the graves of the dead, remain popular, though many Christians have historically abstained from meat on All Hallows’ Eve, a tradition reflected in the eating of certain vegetarian foods on this vigil day.

These three days are collectively called Allhallowtide and are a time for honoring the saints and praying for recently-departed souls who have yet to reach Heaven.

The Allhallowtide custom of baking and sharing soul cakes for all christened souls,[61] has been suggested as the origin of trick-or-treating.[62] The custom dates back at least as far as the 15th century[63] and was found in parts of England, Wales, Flanders, Bavaria and Austria.[64] Groups of poor people, often children, would go door-to-door during Allhallowtide, collecting soul cakes, in exchange for praying for the dead, especially the souls of the givers’ friends and relatives. This was called “souling”.

By 800, there is evidence that churches in Ireland[54] and Northumbria were holding a feast commemorating all saints on 1 November.

Conclusions of the Origins of Halloween

It is very likely that the traditions of Samhain and Halloween merged organically and was again reinforced when the Aztec and Central American tradition of Dia De Los Muertos was discovered and integrated into modern society. However, one cannot argue that these three days seem to be a very important time for humanity to mourn the passing of the deceased, in their own respective ways. It is fascinating that these cultures developed somewhat similar traditions. To learn more, check out my references!

Thanks for reading.

References:

  1. https://en.wikipedia.org/wiki/Day_of_the_Dead
  2. https://en.wikipedia.org/wiki/Halloween
  3. https://en.wikipedia.org/wiki/Samhain
  4. https://www.bbc.co.uk/religion/religions/paganism/holydays/samhain.shtml
  5. https://dayofthedead.holiday/history/
  6. https://theconversation.com/day-of-the-dead-from-aztec-goddess-worship-to-modern-mexican-celebration-124962
  7. https://www.halloweenexpress.com/samhain-and-the-connection-to-halloween/
  8. https://www.history.com/topics/holidays/samhain

The Wanderer, Part 36

Read see the first story of this series here: The Wanderer, Part 1

or the latest story here: The Wanderer, Part 35

Tas slowly woke on his cot, finally not remembering anything from his dreams. He had become very tired of the incessant dreaming and wanted nothing more than to rest in the warm comfort of his companion Yaina in the darkness, but she wasn’t there. He rubbed his eyes that were coated with crusty sleepies and he was as sore as he had ever felt in his life. He assumed it was his last night of good sleep for a while. Today they would reach the monastery and begin planning with Fei, the monastery’s keeper for his last journey into the shadow-realm. And Tas was finally feeling his normal, old self.

The trek took the better part of the morning. Tas walked with Ice in the lead, occasionally feeding his companion the last little scraps of jerky as they went along. The whole group was walking rather slowly and Ice was very focused on scouting the trail ahead. He eventually found something in the forest, but Yao and Yaina were deep in discussion behind them and didn’t notice, though Tas had no idea what they were saying. He was trying to relax and enjoy his clear mind so he simply followed Ice.

They traversed off the beaten path into the jungle, where the bugs were loud and birds were singing high in the trees and calling to each other. Ice quickly led to the base of a large baobab tree and tried to his his claws to climb and jump up the tree, but could get more than a couple hops up. Tas got to the base of the tree and looked up to see two large apes sitting, looking down at Ice. The second they noticed Tas approaching, their attention shifted and Ice stopped his attempts to climb the tree. Tas sat next to his anxious wolf friend and was content to look up at the large, very intelligent looking animals. Then the primates descended down the giant tree, obviously interested.

Tas waited patiently, but Ice wasn’t quite as docile. He started to pant and pace anxiously, though the apes paid him no mind and jumped the last couple meters to crouch softly on the earth.

Then, to to the surprise of all, they spoke.

“we know of your journey, friend, Tas and wish to warn you of your supposed friends at the monastery. Your journey is perilous and you should trust no one. Especially the monks at the monastery. Friend will become indecipherable from foe as you continue deeper into the nether.”

“what should I do?” Tas said, shaking his head in disbelief at what they said. How could he continue if he didn’t trust Fei, or Yao, or Shu.

“Wait, observe, and watch all around you. Only your friend here is trustworthy.” They both looked at Ice with a certain interest that Tas couldn’t place.

A soft rustling came from the thick of the brush deeper in the jungle, and from the dark shadows a tiger appeared. This was the cat that Yao has sensed earlier. Ice was on edge by Tas’ side; he could feel his apprehension, though his white furred friend was silent.

The cat approached silently, and the apes appeared to also be apprehensive, though unreactive.

“I have been watching your journey for the past few days, boy. I have been interested in you and what you are doing. Tell me, why is it that you travel so far? Through my domain, nonetheless.”

Tas replied slowly, knowing the cat wouldn’t want to hear anything short of the truth. But how much truth should he share?

“We are returning to a place that was destroyed by the likes of a dragon. Do you know of what I speak.”

The tiger hissed, spitting wildly. “yessss I know of this enemy. I have lost several of my hunting grounds to the dark fire that this demon began.”

“Well,” Tas said growing sure that the tiger wouldn’t eat him after he told him more. “I am going to slay him.”

At this the apes panicked and Ice followed. The cat crouched and immediately sprung at Tas, claws outreached and teeth barred. But the one of the giant primates had grabbed a rock, and slammed it into the face of the tiger. The other brought his arms around the neck of the tiger and Ice simultaneously attacked the tiger’s throat, ripping through the flesh. The ape with the rock continued his assault until the tiger’s body convulsed. The whole ordeal took but a minute.

The apes looked at each other in confusion, but also a shared communication passed between them that Tas could see, but didn’t understand.

“The enemy will take all forms of being, my young friend. Travel lightly, and again, trust no one. Except your friend here.” They looked down warmly at Ice, who continued to drink in the blood of the tiger. After he was finished, the apes took the corpse up the tree and bid them farewell. Ice and Tas returned to their perilous path to continue to the old monastery.

After a short time of returning to the monastery’s path, Tas could see the small road winding up to the hillside to the stone walls at the base of the monastery’s overhanging garden. He was happy that they had almost arrived, but there was no sign of Yao or Yaina. They must have travelled before them.

Paj and Shu greeted them at the recently rebuilt entrance, undoubtedly having foreseen his arrival. They both looked rested and recovered, though apprehensive. The garden, however, looked very overgrown compared to the last time that Tas was there; the bushes had grown thick and the grass was peeping through the dirt on the paths. The rest of the monks where nowhere to be seen. They could only see Fei on the balcony, looking out at them as they rose to the courtyard. His large smile put them all at ease, though after their recent debacle, Tas was skeptical of all of his old friends.

The two monks, Tas and Ice walked up the spiral staircase together to meet Fei. Yaina and Yao had arrived previously and were a little uneasy. Tas explained what had happened with everyone. Fei continued his smile at first, but his smiled waned as he learned of the tiger’s attack and the apes warning. Yao brought light back to the conversation immediately. “well, you’re not dead yet! Maybe I should push you off the balcony and speed up the inevitable!” Tas felt a warmth and fondness grow through him for his master. He always missed this nonchalance when Yao wasn’t there. The feeling inside gleamed like the light from the sun.

Fei took the chance to continue lightening the atmosphere: “Welcome Tas and company, make your selves at home. Paj and Shu will prepare a couple of rooms for you.” He bowed deeply. “We will meet this afternoon before the sunset. In the meantime, Tas, why don’t you go with Shu in the lower levels of the garden? You will be undoubtedly very happy to talk and catch up on what has been happening in the last month while you were traveling. Fei winked and walked away, Yao in tow and Yaina slowly followed after with Paj. She looked back at Tas with a light smile as she left. Tas could tell that she was worried for him. He knew they would be planning for later that night.

Tas walked down the balcony and headed towards the gardens with Shu, his first monk teacher. It truly was becoming wild in the monastery, even some smaller trees had begun to grow and there were swarms of insects moving about; everything was dissheveled. Tas had to swat at them to keep them off of his face, but it was nearly useless.

Shu moved into the center of the lower terrace and together they began meditating and oom’ing without even talking. After several minutes of quiet, they opened their eyes and Shu’s smile split open wide, eyes squinting against the light. Tas smiled back

“Tas is that you?!? I’ve missed you my friend!” and he immediately arose to embrace Tas. Tas was a little startled, but settle easily into his friends weight. He certainly was sore from the stress of his long journey.

“I’ve been traveling a lot Shu.” Tas said slowly. “I am so tired and I’m not sure what to do other than go back into the nether and face what’s there for me.”

Shu replied slowly, “well, my young friend, there are only two ways that I know of to rejuvenate the body. The first, is sleeping. If you haven’t had any of that, mediating can restore your energies in a similar way. Let’s mediate for a time, and perhaps you will feel better!”

Tas was in position to refuse. He desperately wanted his energy back. He had woken up with so much and now there seemed to be none and the sun was still high in the sky. Shu and he sat for a short time, before Tas grew impatient. Shu wasn’t saying or doing anything but sitting there breathing deeply. Eventually Tas’ patience ran out and he sighed to get up.

Shu sat him back down, and smiled, “not yet my friend. We will sleep while you are awake! Breath deeply with me and lets restore your energies.”

“But I need to sleep to truly heal and regain my strength.”

“these limitations are made up by your mind my friend. Breath with me slowly and deeply and you will find the sleep that you need.”

So Tas tried to sit still and breath deeply and after a time, he felt himself falling into a deep trance. The light inside of him grew bright and he soon felt as light as a feather. Shu continued to breath next to him, but his breathing was making Tas tired, and soon he felt himself lay back and drift off, darkness once again surrounding him completely.

Ashtanga Yoga with Elliot Workshop

I am honored to present you with my upcoming workshop series on Ashtanga Yoga. You can sign-up on the events page here.

Ashtanga Yoga with Elliot Poster
Ashtanga Yoga with Elliot Poster

You can also sign-up on Facebook, if you so desire. Drop-ins are welcome, but you will be missing out on additional information on the series and future events.

Practice the Primary Series by yourself, wherever you want.

The idea behind the workshop is to bring yoga home with you. The primary series could be thousands of years old, no one truly knows. But the grandfather of modern yoga Krishnamacharya expounded this method to BKS Iyengar and Patthabhi Jois in Mysore, India when they were teenagers. This method has evolved to become what we know today as Ashtanga yoga.

Youtube reference video of the Primary Series

Wonka’s Wubbalicous

wonkas_wubbalicious

I’ve been designing sounds for about 7 years now, far more often when I first started in India than I do now (because I have to survive and make money), but I’ve gotten pretty good at making all kinds of different sounds now!

This most recent track is a dubstep adventure through the frequency spectrum, I made it pretty simple to emphasize the bass and added a Japanese Erhu as the lead to create some interesting contrast to the deep dark bass sounds that I love. I hope you enjoy it!

Stream on Soundcloud:

Download a high quality WAV file of Wonka’s Wubbalicious here:

Taking Time off Landscaping to Recharge

The summer months are getting hotter and hotter in Northern California with increased risk of fire and smoke from the lack of proper management from the California Bureau of land management, which is obviously very inefficient (as evidenced from the record setting fires from the past 5 years).

This makes landscaping and fence building very difficult, and sometimes completely impossible because of hazardous smoke conditions. However, I was able to finish a few more fences before the fire season got under way with the record setting Dixie fire (the second largest in California’s history).

Finished Fences before Fire Season

I have been getting more skilled at decorative fencing and have gotten a lot more tools in my belt (including a chop-saw, a table saw, and a paint sprayer) since I first started doing big fences at the beginning of the year. I typically remove all old concrete and prefer new construction rather than repair. Dealing with other individuals work is typically very difficult as people tend to cut corners when constructing fences. I am very proud of all the work I have done and I think my customers are very satisfied with the level of quality and of service that I provide. I also paint now as you can see below!

The bottom 4 pictures are of a cattle fence repair that I did out in the hillsides. The customer wanted to save money (which I never recommend with construction because you get what you pay for) so I did my best to find less expensive wood and keep the costs down. Overall I think it turned out great!

After 3 months of Grinding in the heat, my back was in bad shape.

So I took some time off landscaping to refocus on my yoga practice. It was an excellent start to the year, but now its time to wind down and enjoy all of the progress that I’ve made this year and to get more efficient with my business!

My yoga practice has progressed a lot recently, I’ve restarted my work on the primary series and will be offering a new workshop on September 4th for the Yoga Chikitsa. I am also starting a new Hot Yoga class in Auburn today, at 7pm. I’m really looking forward to it!

Building New Fences in 2021

This year has centered me around replacing fences in the area due to the major storm damage that insurance companies categorized as catastrophic. Thanks so much insurance companies! I have already finished 2 brand new fences and am actively working on the third and am bidding on lots of projects including smaller fences and some big landscaping projects. 2021 is looking fantastic so far!

The First Fence of 2021

My first fence of the year was a recommendation from another client. Though I didn’t get to use my “go-to” steel posts, I did get to paint a fence for the first time, which was really cool and fun with a paint sprayer! Painting and staining is a lot of hard work with one. The fence came out very straight considering I had to deepen many of the holes by 6-10 inches to ensure that the posts were two feet in the ground.

Overall, I am very satisfied with the result and so is the client. I did two cans of paint and used some really nice redwood materials. This was about 65ft of fence that turned into 80ft once the owner saw the work we were doing out there 😀

The Second Fence of 2021

The second fence was a recommendation through yoga, which is just such a great way to connect with people that are likeminded about nature, durability, and quality. My client wanted more privacy and needed her whole fence redone which ended up being about 200 feet of fencing.

This time I got to use steel posts and kicker boards to bring the fence up an extra foot for more privacy from the neighbor’s yard. I was lucky enough to find a fence board supplier during the massive shortage that California is currently experiencing.

I will be adding a latch to the bottom of the gate and am also hoping to stain the entire fence to help to optimize the lifespan of the boards. The client was so happy that she agreed to do a testimonial, so I will add that to the site as well as a post getting into more details about the project.

Moving Forward in 2021

I am already in the middle of my next fence project and am always looking for more work. So far this year has been very steady for work and I just want to keep that going. I also enjoy learning and working with unique situations so I am very excited for the potential of some of this years projects. Here are some progress photos from the job I am working on now that is right on the border with Folsom Lake.

Noer the Boy’s Futuristic Sci-Fi Bass Album Review:

A Forlorn Hope

Noer the Boy is at the helm of a new generation of pioneers exploring the frequency spectrum through abstract bass music. His beats crush with punishing distortion and his music seethes with melodic and harmonic intricacies that will being your dance moves to the next level. From his background in marching band, choir, and video editing; Noah grew a fascination with kinetic beats, industrial sounds, and the unrestricted freedom of computer sound creation.

Noah is 27 (August 3rd, 1993) from Milwaukee, Wisconsin. Noah was born and raised in Appleton, which is about an hour and a half from Milwaukee on the northern end of Lake Winnebago. Noah studied music and band in high school playing the French horn, which is pretty damn cool and also became a drum major for his high school, Appleton East.

Noah is a member of DJ Shadow’s imprint Liquid Amber, Los Angeles collective Courteous Family, and Noisia’s DIVISION, Noer the Boy has also released music on Mass Appeal, VISION, Alpha Pup, and Orange Milk Records. Noer teamed up with Shadow to co-produce ‘Horror Show’ featuring Danny Brown and tour Europe following the release of his debut album ‘Mechanism’. His sounds have grabbed the attention of bass music figureheads G Jones, EPROM, Machinedrum, Ivy Lab, and the Low End Theory club night in LA.

Noah seems to be in a solid space, even with the impact of CoronaVirus in 2020. Pretty awesome considering he now makes a living off making music, sound design tutorials and sample packs, and has an awesome Patreon where you can get exclusives of all his newly released tracks, as well as deeper packages to help music creators augment their productions. He works hard for it and his sound reflects that.

I’ve been lucky enough to take lessons from Noah for about the last year and a half and we’ve been drilling down into mix engineering, deeper sound design, and modular synthesis. Noah is really a wiz at music, so make sure you follow him because he will definitely be releasing new music. He’s recently started to make heavily synthesized house music, or electro, which I have to say I am ecstatic about. Electro-House is my favorite kind of music.

I interviewed Noah about A Forlorn Hope, in an effort to get a better understanding of his music creation process, and what this latest album means to him. I loved the album, especially Shapeshifter, Nebula, Exile, and Rule of two. The whole album certainly deserves a listen on some high quality speakers! (your car is probably not loud enough). Check out the Q and A with Noah below and leave a comment if you feel inclined:

Interview with Noer the Boy

Q1. Elliot: “I personally love all of your music. But this album seems special. I think it hits harder than most and that the sound design is pioneering. What kinds of processes and techniques do you use to make your sounds and mix stand out so much? What kind of special sauces do you use to create such a punishing sound?”

A1. Noertheboy: “Don’t underestimate the power of layering. A few simple sounds or effect chains can combine to form something that appears much more complex than it really is. Treat sound design as building with lego bricks – maybe the instructions are useful but also maybe you want to experiment instead.”

Q2. Elliot: “A Forlorn Hope has some of my favorite tunes on it. But I think that the title track is special and its kind of the motif of the album. Its fat. What inspired you to create that track, and the sounds that are in it?”

A2. Noertheboy: “Without giving too much away, Forlorn Hope is about a doomed journey to the edge of the known universe. ‘Forlorn Hope’  was originally named ‘Event Horizon’, but after watching the 90s film by the same title I didn’t want people to think I made the record about that movie.”

Q3. Elliot: “My favorite track is Nebula, I’m not sure why, but I just love the cohesion of the track and the melody that persists and finds an apex near the ending. What are your favorite parts of the album, and why?”

A3. Noertheboy: “It’s impossible for me to pick a favorite from my album. Each album track is my favorite for a different reason. If I don’t feel 100% like it’s my favorite song made so far, it doesn’t make it on the record.”

Q4: Elliot: “How did you come up with the theme and storyline behind the album? Its pretty cool. It reminds me of a combination of Lost in Space, Dune, or maybe the Abyss.”

A4. Noertheboy: “‘Forlorn Hope’ itself is a term for a group of soldiers tasked with a leading mission, usually a suicidal mission where casualties are high. That combined with my love of deep space SCI-FI films have influenced me a great deal. The Alien series, Interstellar, War of the Worlds, 2001: A Space Odyssey – movies like those have shaped a lot of my sonic identity. The world that ‘Forlorn Hope’ exists in is also the same world that my first album ‘Mechanism’ takes place in. I’m a big fan of concept records.”

Q5. Elliot: “You said on your instagram that writing this album has been particularly Cathartic for you. In what ways have you grown personally and professionally from writing A Forlorn Hope?”

A5. Noertheboy: “I only start write an album when I have something new to say and new tools to showcase. So a lot of growth has to happen to get to that place. And the album writing process itself is transformative. Writing a few songs will undoubtably inspire me to write more and that process leads to rapid growth and breakthroughs that might come much slower if not for writing a cohesive LP.”

Q6. Elliot: “How long did you album take?”

A6. Noertheboy: “The process took a little under a year and a half.”

Q7. Elliot: “How long have you been writing music? What was your first show like?”

A7. Noertheboy: “I’ve been writing music as Noer the Boy for going on 8 years, but music has been an integral part of my life ever since I can remember. My first show was a house party in college and I remember playing hella Pretty Lights, rap music, and Skrillex mashups IIRC. Shoutout my old music homies Kaelin and Alec for playing with me at that first show!”

Q8. Elliot: “You’re pretty good at writing music, Noah. But why do you make it? What’s your primary inspiration. (or 2, or 3)”

A8. Noertheboy: “Music put simply is my everything. It’s what I know. I’d make music if nobody listened.”

Q9. Elliot: “Is there anything else about the album that you want people to know? Maybe you can comment on how you feel about it being finished and out there in the wild to have a life of its own?”

A9. Noertheboy: “Shirts and vinyl copies are in the works! Big thanks to everyone listening and sharing the record, I really appreciate it.”

Q10: “Any last notes? Any coronavirus advice?”

A10. Noertheboy: “Take the stay at home orders seriously so we can get back to enjoying live music.”

That’s it for the interview, feel free to comment on anything and make sure to check out this very avant-garde production from Noer the Boy – A Forlorn Hope.

Noer the Boy (live)

You can buy the Forlorn Hope album on Bandcamp to help support Noah in his journey. You can also follow him on Twitter, Instagram, and of course, on Facebook.

the E.T. – Crystal Caves is OUT NOW

crystal cave OUT

Sorry its been so long since I’ve posted about my music here. I’m getting back into the swing of my second job (yoga instruction) and I started a new landscaping business this year, so it has been very difficult to find time for things other than work and relaxing from work, and music requires a lot of attention, effort, and time.

However, I have been working super diligently on my music and continuing my lessons with Noah, aka Noer the Boy, whose music you can check out here. He’s a really talented dude with an incredible grasp on distortion and how to manipulate sound to create ultra heavy beats, so make sure you check out his music. His melodies are also really incredible, make sure you listen to his latest album: Forlorn Hope.

Melodies

The biggest challenge thus far in learning how to write music has certainly been learning to write effective and ear catching melodies. Ideally, to create melodies that resonate and build upon themselves to create an overall harmony that is enjoyable. Thus the release of ‘Mystery’ and ‘Go Big’, which are by far the most melodically oriented tracks I’ve made. I have kinda pushed sound design to the side to explore music theory in more depth and to get a handle on mixing, which has always been really challenging for me (before Noah, I was completely self-taught via youtube). I’m thinking about getting another mentor also just to keep growing in different ways. I’m also working with my buddy who is literally the best guitar player I’ve ever met, Rich Santana, to start making more analog sounds (drums, guitar riffs, bass riffs, etc). I’ve also picked up the Arturia CMI Fairlight and Buchla Easel emulations, which are super fun and incredibly unique instruments.

Mixing

Learning to mix has been quite the journey for me. I got into music because I love sound and experimental beats, similar to Mr. Oizo, Daft Punk, Deadmau5, Eprom, and No Mana, but obviously all of the artists I just mentioned are fantastic mixing engineers. Experimental sound design isn’t really that cool unless you can properly mix the sounds, because of the overlap of the distortion and lack of quiet in certain parts of the frequency spectrum. I am continuing to educate myself on how exactly to mix sounds to create heavier beats and will continue this journey for a few decades, I hope.

Crystal Caves – Elliot’s newest track

This brings me to my latest piece of music, an abstract BASS track that I call Crystal Caves. This is significantly slower than the majority of my music, because I am trying to branch out from my favorite genre, house music, to play with more experimental and heavy rhythms. I’ve also worked out longer intros and some serious layering of melodies in combination with tighter mixes through precise equalizing and compression to make more cinematic music.

Get my music pretty music anywhere

The track is available on most streaming outlets and I’ve actually used a 3rd party distributor for this track instead of using DistroKid, though I am very skeptical of continuing to work with any distributor. I want complete control over my own music, which makes it tough to even send my stuff out to labels. Please share my track with your friends if you like it, I also really appreciate anyone who reaches out to me with a comment or even a buck or two to support my journey in making music. But I really appreciate anyone who is just willing to give my music a good listen.

Follow my releases here: https://linktr.ee/etelford32