the E.T.’s latest melodic electro house track is a well mixed 120 BPM adventure in the key of D.
I spent about 6 months producing the track and I got a lot out of trying to work with all of the different sounds and variations of the original melody that I was able to create. I used all of my production technology, which now includes Fabfilter PROQ3, Izotope’s Trash 2, Sylenth, Reaktor, and all of the native Ableton plugins.
Lately I have been very centered and focused on writing better music, which always seems to happen in tandem with spending more time practicing yoga. I can remember in India when I first started making music with Ableton every day after I practiced the Primary Series with Saraswathi. I think I was inspired by Rumi while I was there and just wanted to find stuff to create.
I’ve always been into EDM, but making music gives me an extra excuse to be a mega-nerd about it. I make a few new playlists every week for my yoga classes, follow me on Spotify for them. My favorite artists this week are Black Gummy, Sayer, and Eprom. I’ve also been registering to Deadmau5’s latest album and like it a lot more than when it was first released. Sayer should be named slayer, his sound is so cool.
Somethin Somethin and No Mana have also been making great music this last year. About a week ago I went on a Mat Zo, Matt Lange, Flume, and Yung Bae have also been in my most play lists.
Lessons on writing melodies and mixing
After my last album, it became pretty apparent to me that I needed a lot of work in the studio learning about mixing and getting my sounds to layer and compliment each other. I saw a post from Noer the Boy on Twitter about Ableton lessons and decided to give one a shot.
It turned out kinda magnificently, Noer, or Noah, the guy I’ve taken probably a dozen lessons from is a prolific writer and has lots of great tracks already finished. His mixes are also very much on point; they punch through the speakers and the music makes me want to get moving. Its pretty exciting.
I have also finished my studio, meaning I have 2 Yamaha monitors and a subwoofer that get pretty loud so I can hear everything. I can understate how powerful this is going to be for my mixing; until recently my music was all made out of headphones (which don’t have nearly the same dynamic range as good studio monitors. More high quality tools to get better results.
More Progress in Melodic Structure
Writing a full melody has always been kinda difficult for me, but I really feel like I have written a few tracks that have a great melody and that are almost ready to be released. I have a lot of work to do on the mixing of them, designing some more dope sounds for ’em and on tying them all together. The new mixing tools I’ve gotten recently are also helping a ton.
It has been a journey in patience as I experiment with all different kinds of keys and modes to get the flow of the music going just right, but I think I’m getting there. I’ve also been able to finish buying all of the professional tools that I need for my studio, so now I can focus on the writing.
This guy just did his first headline at Red Rocks and will be starting to tour internationally here soon. Make sure you check out this pioneer of bass music when you get a chance.
More Music Coming Soon…
I have a bunch of tracks that I am working on that will form EROS Part 3. I’ve been working a bunch on the storyline as well, the whole project continues to evolve a lot. Check back in the next few weeks for the nunu 😀
EROS INTRODUCTION: The EROS album is definitely a step-up from my previous work. The mix quality as well as the writing is just on another level (thanks to a lot of hard work). I am attempting to write songs with a new degree of depth, EROS is a result of that search. Now for the EROS introduction, my latest work and music that I am very proud to present to you.
I have taken a lot of influence recently from old rock music, especially Pink Floyd, the Beetles, Led Zeppelin, and Jimmy Hendrix, specifically. The ideas of concept albums and how Pink Floyd used them to talk about ideas that are pervasive to the human experience. I’m in love with how Led Zeppelin plays to ideas and how all of the artists create stories with their music. Especially Hendrix.
So I have attempted to adapt my own methodology to create a concept for an album that I think can stand the test of time. EROS is an alien concentration camp of Mar’s moon that all of my tracks focus around. I am almost finished writing the tracks built around these concepts and there is a full storyline to accompany it. EROS tracks has been nearly 6 months in the making! So here’s the story.
EROS was originally going to be a trilogy
I decided to cut down the track count to about 7 or 8 and just take the best. I have also signed one of the tracks to a label. More on that later. Now to introduce EROS and the Universe that exists around the alien concentration camp.
Part 1: Introducing J the Alien
Introducing the main character of the Saga, J the Alien. J is an alien, in fact, he is the last being of his race, a once populous and prodigiously successful civilization until the collapse of their neutron star. Now a being must be born into a collapsing star in order to absorb the necessary energy into the incubation process. The energy requirements are so enormous that a birth causes the neutron stars to collapse within a millenia. The Novaborn live until they are killed.
Novaborn – the birth
Future Bass Hybrid
Novaborn is the story of J’s birth, the first part of the EROS introduction. He was birthed without any knowledge of his ancestry into the darkness of space. Upon waking for the first time post-incubation, J is guided via the Novaborn AI, Celexa to his new homeworld, Celexus. Celexa encountered a planet during the incubation process and already begun the terraforming process to make the atmosphere suitable for J to arrive and begin mining the crust. His first quest inundates J with knowledge about his species, their energy consumption, the energy costs of his own life, and the recognition that he is the only one of his kind. J’s life is a search for energy, to keep himself alive and to revive the Novaborn species.
J the Alien – Introducing the main character
J is a very unique character that I am very excited to share. I had an entire album built to explore J’s universe and existence. But I scrapped 5 tracks and combined the rest into the EROS saga. J has all kinds of incredible technology and unique attributes. Luckily, these attributes make for harrowing and mind-melting adventures through the cosmos. I will release the next tracks ‘very soon;.
This past week has been great for my yoga practice and also my music writing, usually the two go together for me. Hence the above remix of Morgan Page – Beautiful Disaster. The vocals are fantastic, I really hope you like the mix!
I subscribe to a sample library that I have a certain amount of download credits to each month so that I can download professional sounds, mostly drums and specialty synthesizer sounds or vocals. They are royalty free, but I always manipulate them enough to make them unrecognizable anyways.
They have remix contests and this contest in particular had some excellent vocals to work with, which I was looking for in Splice anyways, so I decided to just go ahead and do a remix instead.
So my latest track was a fantastic mix-down experience because I got to work closely with vocal samples to making them fit into the overall house mix that I created to accompany it. The vocals make the track stand out against a lot of my other work, but the sound design is very similar and the leads are Juno emulations.
I took a lot of new sound design techniques that I have been working with and applied them to the stems that were provided. The track is pretty simple, but the drum-beat is very original and the bass is super dope, I seriously can’t wait to hear it on a louder system. Part of the reason I make music is that I like bass music and house so much; it gives me a good perspective on going after the future of the genres and market.
The percussion also keeps the track moving at all time, while an electro stab that I added creates a bit of contrasting melody against the chords of the track, just to spice it up and provide a bit of my own flavor. I think the best part of the track are the FX and the beat. On some louder speakers those drums will smash.
Anyways, I hope you like the track. I can’t offer you a download, but here are the streaming links:
Soundcloud – Stream and let me know what you think of it.
Crave came together over the course of a few months, the layering of the lead synths took a while to plan. I feel like this is one of my best produced tracks yet and I certainly put a good amount of time into it.
It doesn’t exactly fit into what I am getting ready to create with my next album, but I certainly feel that the track is well written, so I am releasing it as possibly one of my last singles. I am feeling heavily into writing albums and am pretty excited about the idea of creating themes around the tracks to give them more purpose.
Electro-House and Modern EDM
For the past week I haven’t even been listening to much EDM. I’ve been actually getting really excited about older Pink Floyd tracks to find sounds that are more uniquely dissonant and distorted. Their older work certainly contains some mastery. This track is another experimental attempt at trying to create the sounds that meld together into a seizing rhythm of house beats.
That is apparently optimal wording for a new track release. You can download the track below, let me know if you have any difficulties.
I used a combination of my favorite drums samples from some Splice packs that I have been collecting for over a year now. The kick is from the Deadmau5 pack, it has some of my favorite drums sounds. The hats in this track are very uniquely arranged, I feel like they add a tremendous amount of momentum.
The Bass is heavily modulated and I’ve create three different layers for it. It should really shine on larger systems.
The Lead is yet another JUNO synth sound, which is still my favorite. I’ve added like 5 different FX channels to it that are all mixed into the drums to give some awesome melodic and pad pumping effects.
The composition came together rather quickly, I am sometimes really surprised at how it just seems to happen on some days when I devote myself to it.
Anyways, I hope you enjoy the track, I will hopefully have time to make a music video for it in the next week or so.
G Jones is a pioneer of the electronic music scene and has been pushing the boundaries of live performance DJing in the underground for several years. He has played under a few different aliases including Grizzly J, . Greg Jones is the creator’s real name. But G Jones is what the bass music fans are shrieking alongside Bass Nectar, Bleep Bloop, Yheti, the Widdler, Bleep Bloop, Zeds Dead, Nasty Nasty, and Pretty Lights.
Jones has created with several artists and is definitely a rising star of the bass music scene. His latest album “Visions” is one of the most unique albums ever. It blasts distinctly unique bass sounds designed for louder systems. Check out the album below, stream it on youtube or BUY THE ALBUM (def worth it.)
G Jones’ soundcloud is chalked full of hits so make sure you check out his unique style of dubstep and future trap. Not really sure which it is. Don’t really care.
His latest release of Eprom’s Pineapple is completely ridiculous and true to the style of Visions, which is fairly evolved from his ‘EYES EP‘ four years ago. Also check out his collaborations with Bleep Bloop, including the 4 track ‘MIND EP‘. Also check out Bleep Bloop’s entire discography to melt your brain a bit, the dude has some seriously talented ears for dropping massive and unpredictably delectable dubstep beats into your lap.
Top G Jones Tracks
listen to some of my favorite G Jones tracks below:
G Jones Visual Style
G Jones, like many of the experimental bass artists on the West Coast Underground (see my list of top artists here) is still developing his visual style, however, the momentum that he has going right now is pretty incredible. He has started to team up with Bass Nectar, so expect this artist’s visuals to start pushing EDM further.
The west coast bass scene is continually undergoing major changes. The industry continues to move at a faster and more tremendously unpredictable pace. We get to see how Greg develops the brand of G Jones. And how he continues to reach the underground as he becomes more and more popular.
The Future of Trap and Bass Music
Huge sets in 2018 as well are new releases are a must. Expect this artist to shine in the years to come. Huge releases from Yheti, Bleep Bloop, and Proko lead one to get really excited for the potential of the entire bass music scene. 2018 will be huge for the bass music scene in California as it continues to mature. Find some more info below.
Haze EP is a group of some of the most unique electronic music tracks that I have ever listened to. Sometimes, I can’t believe that I created a few of the tracks.
Each song is kind of a world of sounds because I do all of my own sound design. Then I take the highest quality analogue samples and mixing the hell of of the track. The sound is nothing short of galactic adventurous. My journey through music continues to evolve and these latest tracks take the quality to a new echelon.
Haze has some of my favorite music ever on it. I’ve always had a certain taste in electronic music and I am very excited to share how I like it with the world!
Diving into Sound Design
Of course, the kind of music that I enjoy is an ever evolving taste and honestly, I hope to be able to follow this path forever.
My handle on the technology involved continues to grow firmer and my sound design skills improve as I continue to experiment with my different synthesizers, Serum and Zebra2. Operator is and always has been my go to. My ability to create unique bass sounds grows more and more potent as I also hone my mixing, the two go together really nicely.
I have begun to split frequencies far more often to great effect. I feel highlighting certain frequencies in the bass spectrum becomes really important as I get more detail oriented with my bass music.
I finished composing nearly all of the tracks for the album and will release a few of them early. I might release one tonight, actually. This time, I am giving myself plenty of time to finish all the tracks.
So I will tell you my favorite tracks and why before I give you the Haze EP track list.
HyperDrive is my favorite song. I love it because it represents a beautiful style of electro house that has been a little bit forgotten. This multilayered Future-Bass influenced house track will leave you feeling like you just visited another world.
8R0K3 is also my favorite song. It has some of the most unique soundscapes I have ever made and drops like a champ. The bass is fucking wonky and super glitched out. The sound design is so unique, it’s very weird to listen to it in different environments. But so far, the tests have all come back positive!
Lucid and Digital Eternityare both Bass oriented tracks that I really want to play live. They have certain rhythms to them that are very unique, kinda remind me of REZZ. I am definitely hoping that this album helps me to get live at local festivals and stuff like that. Here’s to detachment from results.
HyperDrive – Electro-House
Lucid – Future Trap
Escape Endor – Tropical House
Digital Eternity – Future Trap
Force – Complextro-House
Entering Orbit – Glitch-Hop
8R0K3 – Glitch-Hop
Acid Urine – Dubstep/Trap
Cybertron – Dubstep
Exoskeleton – Techno-House
Expect sounds that you have never heard before and some mixing techniques that will get those speakers bouncing. These tracks are great dance tracks and I can’t wait to release them. First release is coming soon, get stoked!
Eprom is probably one of the most under-rated modern EDM artists. This dude is more innovative than Skrillex and pushes to the edge of EDM with his new EP, Pineapple. Complete with a killer remix from G Jones (one of the most innovative up and coming edm artists, see my list here), these tracks have indubitably shredded dance floors during the tour and honestly, it sets the bar a whole lot higher for rising bass artists. The level of intricacy of composition and explosive mixing, combined with extremely unique synthesis, piercing leads, and analogue powered bass lines make this album a repeatable adventure through experimental sound. Buy it on Beatport today!
Pineapple EP Tracks
You can also listen FO’ FREE on Soundcloud below:
Pineapple – Definitely the star of the album, its obvious that this track can be listened to a few hundred times before its gets old. The lead and melody are raging and the more subs you put behind it, the more you will feel it due to the superb mix quality.
B.F.G. – enjoy this strong Eprom style track that can be added to probably any DJ set.
Zweihander – Eprom’s unique production skills culminate expressively with this track, probably the most unique of the album’s tracks (mah fav), this track will blow your mind time and time again. Killer basses, as always from Eprom. The outro is killer, my favorite part of the entire Pineapple EP.
Koummaya – fantastic intro, the melody is nothing short of magical. Elements of Future Bass and Trap lace the entire track interwoven within Eprom’ s signature SawBasses. The way he breaks up the composition with reverb and pauses before smashing the 808’s is nothing short of genius. Big sounds in this one.
Pineapple (G Jones remix) – G Jones takes his own spin to Pineapple that is equally interesting. I will say that I don’t think the basses hit as hard, G Jones’ style is more compositional anyways. I like some of the compositional techniques that G Jones uses a bit more. Both have great styles of creation though. Comparisons between the two are kind of unjust. Excellent transitions and powerful uses of FX make this track a powerful part of any DJ set. It might be a bit dancier than the original too, let me know what you think!
The Future of Experimental EDM
Eprom has several other tracks that you should check out, one of my favorites is Center of the Sun, which was actually one of the first tracks that I ever remixed. He creates a lot of his sounds with modular synthesis and I imagine he uses Ableton for his DAW, I’m not sure if that is the case. Eprom is mostly a future trap artist if you were to put him in the box of a genre and his music has some of the most powerfully moving soundscapes that I have ever heard. He rages on the dance floor. Expect big things from this artist in the future, also been on the lookout for some dope Pineapple remixes that bass artists are surely working on right now.