the E.T.

the E.T. – Suppression

Leave a Comment / AI, art, edm, electronic music, music production, the E.T.
the E.T. - Suppression

My latest track is out now via YouTube and elliottelford.com. This is very influenced by the recent events with Elon Musk (Go Fuck Yourself Bob Iger), as well as my generation’s (the millennials and Z’s) conquest for a better world. I hope it gets you excited about the release of Grōk, AI, and the cosmic future of humanity.

I spent a little while on this one, mostly on the mix. The sound design process has been pretty consistently expansive for me lately, and I keep fine tuning the frequencies of the sounds that I truly LOVE to make. I am not super impressed with the AI music making software yet, but I also remind myself that highly technical tools, such a RIFT, or PhasePlant are undoubtedly made with AI precursor softwares (which are human oriented). I can’t recommend these two plug-ins enough. They are top of the line and I really love and appreciate the products.

crystal cave OUT

the E.T. – Crystal Caves is OUT NOW

Leave a Comment / art, Audio, electronic music, Experimental Bass Music, music, music production, the E.T.

Sorry its been so long since I’ve posted about my music here. I’m getting back into the swing of my second job (yoga instruction) and I started a new landscaping business this year, so it has been very difficult to find time for things other than work and relaxing from work, and music requires a lot of attention, effort, and time.

However, I have been working super diligently on my music and continuing my lessons with Noah, aka Noer the Boy, whose music you can check out here. He’s a really talented dude with an incredible grasp on distortion and how to manipulate sound to create ultra heavy beats, so make sure you check out his music. His melodies are also really incredible, make sure you listen to his latest album: Forlorn Hope.

Melodies

The biggest challenge thus far in learning how to write music has certainly been learning to write effective and ear catching melodies. Ideally, to create melodies that resonate and build upon themselves to create an overall harmony that is enjoyable. Thus the release of ‘Mystery’ and ‘Go Big’, which are by far the most melodically oriented tracks I’ve made. I have kinda pushed sound design to the side to explore music theory in more depth and to get a handle on mixing, which has always been really challenging for me (before Noah, I was completely self-taught via youtube). I’m thinking about getting another mentor also just to keep growing in different ways. I’m also working with my buddy who is literally the best guitar player I’ve ever met, Rich Santana, to start making more analog sounds (drums, guitar riffs, bass riffs, etc). I’ve also picked up the Arturia CMI Fairlight and Buchla Easel emulations, which are super fun and incredibly unique instruments.

Mixing

Learning to mix has been quite the journey for me. I got into music because I love sound and experimental beats, similar to Mr. Oizo, Daft Punk, Deadmau5, Eprom, and No Mana, but obviously all of the artists I just mentioned are fantastic mixing engineers. Experimental sound design isn’t really that cool unless you can properly mix the sounds, because of the overlap of the distortion and lack of quiet in certain parts of the frequency spectrum. I am continuing to educate myself on how exactly to mix sounds to create heavier beats and will continue this journey for a few decades, I hope.

Crystal Caves – Elliot’s newest track

This brings me to my latest piece of music, an abstract BASS track that I call Crystal Caves. This is significantly slower than the majority of my music, because I am trying to branch out from my favorite genre, house music, to play with more experimental and heavy rhythms. I’ve also worked out longer intros and some serious layering of melodies in combination with tighter mixes through precise equalizing and compression to make more cinematic music.

Get my music pretty music anywhere

The track is available on most streaming outlets and I’ve actually used a 3rd party distributor for this track instead of using DistroKid, though I am very skeptical of continuing to work with any distributor. I want complete control over my own music, which makes it tough to even send my stuff out to labels. Please share my track with your friends if you like it, I also really appreciate anyone who reaches out to me with a comment or even a buck or two to support my journey in making music. But I really appreciate anyone who is just willing to give my music a good listen.

Follow my releases here: https://linktr.ee/etelford32

Mystery Cover Art

Mystery is OUT NOW

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the E.T.’s latest melodic electro house track is a well mixed 120 BPM adventure in the key of D.

Production

I spent about 6 months producing the track and I got a lot out of trying to work with all of the different sounds and variations of the original melody that I was able to create. I used all of my production technology, which now includes Fabfilter PROQ3, Izotope’s Trash 2, Sylenth, Reaktor, and all of the native Ableton plugins.

Mystery is available on all streaming platforms!

https://distrokid.com/hyperfollow/theet/mystery

Download

[purchase_link id=”74228″ text=”Add to Cart” style=”button” color=”blue”]

https://soundcloud.com/elliottelford/mystery
EROS_COVER

the E.T. | EROS | Part 1

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EROS Part 1 by the E.T.

is OUT NOW

EROS Part 1 is out via all major streaming distributors

EROS Part 1, THE CONCEPT

The first part of EROS took an enormous amount of time; ranging from taking me months to days, mostly months for tracks to come together. Unwarranted Surveillance was pretty much written in a day! That just means I employed a lot of learned techniques quickly to the track and was able to create a fun experimental melody that works with the other heavy bass sounds in the track. Positron went through about 20 different iterations and took about 4 months; Positron and Stabilize my favorite tracks of the EROS, Part 1 album, but I’m extremely happy with how all of the tracks have turned out. This is an introduction to the concepts of the trilogy album and will evolve with Part 2, and 3. EROS is a three-part adventure.

The EROS UNIVERSE ARRIVES

EROS is a concept album, a post-apocalyptic (you guessed it right!) space station that houses the criminals and fugitives of the intergalactic police, namely the Nemoans on the moon of Mars, EROS. The Nemoans are a race of giant toads that police the allied galaxies and are self-entitulated rulers of the galaxy, due to their military’s superiority. Toads are known to consume entire planets, some by themselves. Nemooah, the emperor has done this several times, though it is recognized as a legend by many rebels. EROS is the pinnacle of their demonic society and is influenced by my trip to Poland when I was 21. Part 1 contains 12 tracks about the technology and hero of the saga, J the alien. Part 2 will introduce Nemooah.

The Villain.

Emperor Nemooah is one of the universes most grimy and slime coated giant toads from the boggy swamps of the gas giant, Xaxis. Xaxis was destroyed by humanity in 2119. Nemooah’s revenge was the end of humanities occupation of Earth. Nemooah now lives deep within the swamps of Earth, eating crocodiles and whales occasionally. The remainder of the people’s of Earth now live in EROS, an energy producing virtual reality space station build on Mars’ moon. The energy gathered from the human bodies continues to grow as the humans become more and more complacent with their virtual prison. Hope for the future of humanity and the universe is fading.

There is only one being that is known to have escaped the Nemoan Federation since the beginning of time; a species, actually. the emperor has learned of their technology by the slim remains that he was able to find on Earth’s moon. He calls the race ‘novaborn’ as it appears that their technology requires the birthing of a new star, and not just any star, but one formed in the thickness of a new nebulae.

This is the beginning of the story for our hero, ‘J’, who is the last of an extinct race of ultra advanced cybernetic organisms. They are called, the Novites, or the ones born of stars. J wanders galaxy in search for new energy sources that could help to provide a future for his extinct race and their technologies that once spanned the universe. He is the last one.

Prelude to EROS Part 1

Drysithe was sure that he would die. Ever since he heard the transmission, his left eye twitched incessantly. This news wouldn’t sit well with the Emperor. Nemooah would surely execute him, like his predecessor. Nemooah didn’t even hide that he would one day kill his messenger, he had no fear of his younger cousin whatsoever. He would fade into oblivion, like his father when he failed the strike against Newetan

“The NovaStar has awoken, my liege.”

“What are the readings?”

“They are immeasurable… forces involved were too fast and powerful to even withstand basic readings… it destroyed our sensors. Specially, during the nebulae absorption process; we didn’t even begin to catalogue or record the birth… It has escaped through some kind of wormhole or portal at the end, my lord.” The undertoad looked down at his emperor’s corpulent feet with terror, he couldn’t stop his left eye from twitching. His veins felt like poison, his heart pounded.

“Do not fret, Drysithe.” Nemooah took a long moment to cackle, his amusement at Drysithe’s discomfort was unfathomably light. His many uniform decorations clanged against each other on his enormous chest. “I would never expect to catch a Novaborn during birth.” Nemooah sighed disaapointedly, letting loose a slight tumult of saliva and the dead remnants of his last good meal. “We will search the galaxies for the energy signature we found today; we have what we need! The initial data should be plenty.”

“Excellent, Emperor Nemooah, this is such excellent news!” Drysithe tried not to look at the dead toad at Nemooah’s feet.

“Indeed, it is for you Drysithe; today will not be the day that I eat you. But perhaps tomorrow..” and with a smacking of his tongue against his toad lips, Nemooah launched himself outside, then tore into the softer ground with a massive launch into the heat of the blazing nearby star. He used his jetlike rocket-pack to disappear into orbit on the horizon-line; headed for the nearby moon and the Nemooan intergalactic space station that shadowed its orbit with massive spires and rings that swirled endlessly in magnetically enhanced patterns to create the massive energies needed to travel between galaxies. space-station’s rainbows of color struck Drysithe as he realized that he would love his wife and see his child this hallowed eve. Tears streamed down his face and nothing has ever seemed so beautiful as the station, radiating brightly against the dark oblivion of the beyond.

 

FREE DOWNLOAD OF EROS, Part 1

[purchase_link id=”69797″ style=”button” color=”green” text=”EROS, Part 1 FREE DOWNLOAD” direct=”true”]

    1. NovaBorn [Future-Bass]
    2. J the Alien [Electro-House]
    3. Positron [Techno]
    4. InterGalactic Fugitive [Electro-House]
    5. J106 [House]
    6. Evasion [Electro-House}
    7. Nebulae Mists [Electro-House]
    8. NanoAnts [Tech-House]
    9. Unwarranted Surveillance [Tech-House]
    10. Stabilize [House]
    11. Time Paradox [Tech-House]
    12. Never Surrender [House]

EROS,  Part 1 on Soundcloud

EROS introduction

the E.T. – EROS Introduction | Novaborn | J the Alien

Leave a Comment / Audio, edm, EDM Album, electronic music, EROS, Experimental Bass Music, music, music production, the E.T.

the E.T. presents:

EROS INTRODUCTION

Introducing EROS

EROS INTRODUCTION: The EROS album is definitely a step-up from my previous work. The mix quality as well as the writing is just on another level (thanks to a lot of hard work). I am attempting to write songs with a new degree of depth, EROS is a result of that search. Now for the EROS introduction, my latest work and music that I am very proud to present to you.

I have taken a lot of influence recently from old rock music, especially Pink Floyd, the Beetles, Led Zeppelin, and Jimmy Hendrix, specifically. The ideas of concept albums and how Pink Floyd used them to talk about ideas that are pervasive to the human experience. I’m in love with how Led Zeppelin plays to ideas and how all of the artists create stories with their music. Especially Hendrix.

So I have attempted to adapt my own methodology to create a concept for an album that I think can stand the test of time. EROS is an alien concentration camp of Mar’s moon that all of my tracks focus around. I am almost finished writing the tracks built around these concepts and there is a full storyline to accompany it. EROS tracks has been nearly 6 months in the making! So here’s the story.

EROS was originally going to be a trilogy

 

I decided to cut down the track count to about 7 or 8 and just take the best. I have also signed one of the tracks to a label. More on that later. Now to introduce EROS and the Universe that exists around the alien concentration camp.

EROS Introduction

Part 1: Introducing J the Alien

Introducing the main character of the Saga, J the Alien. J is an alien, in fact, he is the last being of his race, a once populous and prodigiously successful civilization until the collapse of their neutron star. Now a being must be born into a collapsing star in order to absorb the necessary energy into the incubation process. The energy requirements are so enormous that a birth causes the neutron stars to collapse within a millenia. The Novaborn live until they are killed.

Novaborn – the birth

Future Bass Hybrid

Novaborn is the story of J’s birth, the first part of the EROS introduction. He was birthed without any knowledge of his ancestry into the darkness of space. Upon waking for the first time post-incubation, J is guided via the Novaborn AI, Celexa to his new homeworld, Celexus. Celexa encountered a planet during the incubation process and already begun the terraforming process to make the atmosphere suitable for J to arrive and begin mining the crust. His first quest inundates J with knowledge about his species, their energy consumption, the energy costs of his own life, and the recognition that he is the only one of his kind. J’s life is a search for energy, to keep himself alive and to revive the Novaborn species.

J the Alien – Introducing the main character

Future Electro

J is a very unique character that I am very excited to share. I had an entire album built to explore J’s universe and existence. But I scrapped 5 tracks and combined the rest into the EROS saga. J has all kinds of incredible technology and unique attributes. Luckily, these attributes  make for harrowing and mind-melting adventures through the cosmos. I will release the next tracks ‘very soon;.

I will be releasing more music within the next three days, most notably Positron, which is at the basis for J’s technology and existence. Also check out this music video for Novaborn in the meantime:

Also, check out my previous album, HAZE.

Morgan Page - the E.T. remix

New Music and more Focus on Yoga

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Morgan Page – Beautiful Disaster (the E.T. remix)

This past week has been great for my yoga practice and also my music writing, usually the two go together for me. Hence the above remix of Morgan Page – Beautiful Disaster. The vocals are fantastic, I really hope you like the mix!

I subscribe to a sample library that I have a certain amount of download credits to each month so that I can download professional sounds, mostly drums and specialty synthesizer sounds or vocals. They are royalty free, but I always manipulate them enough to make them unrecognizable anyways.

They have remix contests and this contest in particular had some excellent vocals to work with, which I was looking for in Splice anyways, so I decided to just go ahead and do a remix instead.

So my latest track was a fantastic mix-down experience because I got to work closely with vocal samples to making them fit into the overall house mix that I created to accompany it. The vocals make the track stand out against a lot of my other work, but the sound design is very similar and the leads are Juno emulations.

I took a lot of new sound design techniques that I have been working with and applied them to the stems that were provided. The track is pretty simple, but the drum-beat is very original and the bass is super dope, I seriously can’t wait to hear it on a louder system. Part of the reason I make music is that I like bass music and house so much; it gives me a good perspective on going after the future of the genres and market.

The percussion also keeps the track moving at all time, while an electro stab that I added creates a bit of contrasting melody against the chords of the track, just to spice it up and provide a bit of my own flavor. I think the best part of the track are the FX and the beat. On some louder speakers those drums will smash.

Anyways, I hope you like the track. I can’t offer you a download, but here are the streaming links:

Soundcloud – Stream and let me know what you think of it.

Splice Contest – Vote for me!

Crave - the E.T. (cover photo)

Crave – the E.T. [Electro-House]

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Crave – The E.T.

[purchase_link id=”69513″ style=”button” color=”red” text=”Crave – the E.T. (free download)” direct=”true”]


Crave came together over the course of a few months, the layering of the lead synths took a while to plan. I feel like this is one of my best produced tracks yet and I certainly put a good amount of time into it.

It doesn’t exactly fit into what I am getting ready to create with my next album, but I certainly feel that the track is well written, so I am releasing it as possibly one of my last singles. I am feeling heavily into writing albums and am pretty excited about the idea of creating themes around the tracks to give them more purpose.

Electro-House and Modern EDM

For the past week I haven’t even been listening to much EDM. I’ve been actually getting really excited about older Pink Floyd tracks to find sounds that are more uniquely dissonant and distorted. Their older work certainly contains some mastery. This track is another experimental attempt at trying to create the sounds that meld together into a seizing rhythm of house beats.

Harmony Remix

the E.T. Harmony Remix and the pursuit of Signature Sounds

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CloZee – Harmony (the E.T. remix)

Get ready for the Harmony Remix, the E.T.’s best track yet. Turn up your speakers to max and clear the tables around you before your insanity commences!

 

the E.T.’s Harmony Remix

This might be the most amount of time I’ve spent on a track. I spent a lot of time getting familiar with the sound design that CloZee uses and learning the key of F minor, which I must say made the experience worth it by itself. This was a great opportunity to learn about some very unique instruments. CloZee makes world music which nearly always uses live instrumentation. This also means that she uses a ton of different instruments.

I focused on re-using her Erhu, Harmonium, Khuur, Zither, Bass, and Guitar samples in the Harmony remix. This is a great Complextro, Bass-House track because her influence is so visible throughout the track. There is a good amount of glitch percussion and weird Bass designs to accompany what is mostly re-used samples from the contest site. I didn’t even experiment with key changes at all, I tried to make the track as recognizable a Harmony remix as possible.

I also created some heavy Bass sounds and creating a darker atmosphere for the track, though I keep the melody in F minor. The percussion mix is solid, I hope you enjoy making dance moves to it.

Sub bass is mixed in properly. My favorite part of the track is the arpeggiated vocal melody that moves fully into the track at the last drop. Initially that last drop was going to be the end of the track, but I couldn’t help but think ‘what a waste of energy!’ so I re-did it. I hope you like the finished version. This track is one of my more cohesive arrangements and most certainly has some of my best mixing and sound design.

The Composition of CloZee’s Harmony – the E.T. remix

The introduction last about 30 seconds and introduces a completely new drumkit, but I did use her clap sound as a layer in the drum rack I used. I added several House Bass sounds to the track as well as re-using CloZee’s mid bass sound in the intro to the 4 bar Complextro loops that the tracks breaks into.

The sub bass keeps the track rolling throughout and little breaks for the heavy bass sounds make for a funky and somewhat unpredictable beat, which I love having in House tracks. It makes the track so much easier to dance to. Verse 1 also introduced my vocal manipulations and the guitar melody that finishes the loops along with the Bass plucks.

I did a good amount of EQ’ing on the various sounds, but I like to keep my EQ’ing to a minimum because sometimes it causes the sounds to lose a lot of texture.

The Final drop is a proper crescendo and introduces a new melody that I created with the vocal samples that were introduced in Verse 1. The Erhu is continuous throughout the track and I feel like that instrument, along with the harmonium make the track instantly recognizable as a CloZee remix. I hope I did the original track at least a bit of justice…

Finally making Glitch-Hop

this new wave of production is going to be epic; I got into music because I loved Glitch-Hop and how it could just drop into a crazy beat out of nowhere, so CloZee’s music has been great to experience while I improve my production skills. BROKE is a milestone for the E.T. that I am really excited about, and will continue to create tracks that remind us that perfection is for robots! I have a track that I’m working on right now called Tinkerbox. It will take the production style of Broke into a new universe.

Finding & Creating Signature Sounds

Lately I have been working heavily with the Juno waveforms within Serum. I created an emulation and it’s by far one of my favorite sounds to use in my tracks. I have also created quite a few pads and ambient sounds with it, but I think it’s use in Glitch music will be the most interesting way to use it.

I’ve also worked hard to good at manipulating vocals into Melodies and Glitch sounds. I continue to experiment and play with the textures and transients (initial hits) of manipulating vocals. They say this is how Kanye made all of his music. Honestly the human voice is incredibly pleasing to the ears, so its probably true.

I designed 90% of the bass sounds in this track. Everything except for the weird lazer Glitch sound CloZee used in the original Harmony mix.  I am now better at mixing as a result of spending so much time on sound design.

A New Wave of the E.T.

I have like 5 tracks in the works right now, including a bombaf TECHNO track called Position. Named after Issaac Assimov’s idea for AI. It reminds me of Gesaffelstein and Pursuit. Also, Digitalism just released a new track, Spectrum which is an awesome dance track! One of my favorite new tracks, I will definitely be fitting it into my live sets. The louder I play it, the better it sounds!

My plan is to DJ a friends B-day party later in the month. I think I might play some originals, but getting people dancing will be so much fun. DJing is super fun with cool people. Right now, I feel pretty repressed when it comes to music, so it should be a great time!

the E.T. continues to improve with my ears, skill-set, and ability to produce music. A lot of this new music is unique; I am turning a corner into a new realm of quality. Definitely shoot me some feedback if you have some!

There is a new FORCE music video up on Youtube, you can subscribe to my channel here, definitely the coolest one I’ve made to date.

Check back soon for more music updates, free tracks, and links to all of the coolest ish on the webs.

Thanks for reading,

Elliot

HAZE - the E.T. (offish_back)

HAZE – the E.T.

2 Comments / Audio, edm, EDM Album, electronic music, Experimental Bass Music, free album, HAZE, the E.T.

HAZE an EDM album by the E.T.

Haze is the next level of evolution for the E.T., with 9 brand new tracks and a ton of new inspiration. This is the E.T.‘s fourth independent album and the quality continues to skyrocket. I worked extremely hard on all of these tracks and appreciate any and all of the support that I get.

So without further adieu, enjoy the adventure:

[purchase_link id=”69432″ style=”button” color=”red” text=”HAZE – Free Download” direct=”true”]

HAZE – the E.T.

TRACK 1 – HYPER DRIVE

Hyper Drive was one of my favorite tracks ever to produce, I’ve literally spent the last 4 months writing in all of the melodies. I take a lot of influence from Skrillex, Porter Robinson, Odesza, Daft Punk, and Wolfgang Gartner in writing this track and used a lot of sounds that are pretty similar to them.

The intro is a fantastic voyage through the different textures of the track, mostly using the Juno synthesizer from Yamaha, which I am now using in most of my productions. It cascades into a radiant bass-scape with heavy engine shutters and grimey dubstep basses in combination with some really beautiful melodies.

The ending has a synthesizer solo that I created with Serum, its pretty grungy and awesome to listen to and sounds different, every time that I hear it. Enjoy the adventure through sonic space-time!

TRACK 2 – ACID URINE

Acid Urine is a Dubstep track that has actually been finished for a couple of months. I’ve been making final touches to it, so you can definitely consider this one of my more thought out tracks. It is pretty original, lots of weird sound designs in it, but overall it pumps and I think it gives a feeling of future dubstep, kind similar to G Jones. I have a track that I am producing right now that sounds pretty similar to him, so I can see that influence continuing to grow.

Enjoy the heavy bass-lines, it gets really dancy at the end. So glitchy, and yeah the first drop is heavy, turn it up.

TRACK 3 – ESCAPE ENDOR

Escape Endor is probably my favorite track that I have produced. The Arp in combination with the Bass synthesis is just so groovy and in combination with the vocals, its vibes create an almost irresistible booty shaking.

It reminds me of when Walker Boh escaped the Martixy thing in the book Terry Brooks wrote about the Elfstones. Like Neo in the last scene before he becomes a demi-god or whatever.

It’s a little cray, but turn up the bass cause the mix is solid.

TRACK 4 – FORCE

Force is a Bass-House track that kinda came outta nowhere in the last week of writing the album. The melodies and bass are simple, but powerful and fun. Turn up the mix on this one, it will definitely get you dancing.

TRACK 5 – BROKE

Broke is a pretty special track for me in how it represents my continued advancement into the genre of Glitch-Hop. The soundscape is insane and the sub is almost overpowering in the mix, but the sounds of dubstep interlace some glitchy and beautiful melodies.

Broke contains some of my most unique sound designs and many of the sounds will be used in the future to fit into my future trap/bass/glitch-hop tracks.

TRACK 6 – LUCID

Lucid is a Future Dubstep & Trap Adventure that was very much inspired by the music of REZZ, which I find to be hypnotic and a bit simple, but very compelling. This track hits hard and has some really cool bass sounds so make sure you listen with at least a little bit of subwoofer.

TRACK 7 – DISCOVERY

Discovery has my favorite melodies of the entire album. To me, this track is all about inspiration and finding after the search, it really was quite a surprise to come up with some of the excellent sounds that create this dreamscape. Very inspired with my sound design in the Yamaha Juno series, expect some exciting melodies in combination with some filthy bass.

TRACK 8 – HIVE BUZZ

Hive Buzz is a French House track, meaning that I took an old disco sample, then turned it into a house beat. The bass here is undeniably booty-shaking and the melodies are a beautiful contract to create a disco-like future-house atmosphere. Tell your friends!

TRACK 9 – JUNO

Juno is the final track of Haze and contains some of my most ambitious sounds from the album, many of which were created in the Juno synth and from using emulations. It really is an incredibly good sounding synthesizer that represents the 80’s so expect some retro sounds in this track, though the mix is extremely modern. I love the vocal manipulations and how they turn into a kind of atmospheric melody for the track.

HAZE was probably about 500-600 hours worth of total work. I really have worked my ass off for the last 6 months to bring you guys these tracks, so if you enjoy them, please help me to share them. I am also creating a little commentary track on writing the album that I will include with the FREE DOWNLOAD BELOW.

[purchase_link id=”69432″ style=”button” color=”red” text=”HAZE – Free Download” direct=”true”]

The Future After HAZE

Now off to the future of the E.T. I am pretty sure that I am going to enter into CloZee’s remix contest, her latest mix with Pretty Lights was spectacular and I absolutely love her sound. It seems to be the perfect next step.

I also have a couple tracks that are in progress, of course 😉 One is called ‘Blow It’ and sounds a lot like G Jones, and I am working towards that level of Glitchy-Future-Trap and Bass tracks. Look forward to the future 🙂

The album will be out on Streaming Services within a week.

 

 

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