Instagram is Toxic and Dangerous

Leave a Comment / art, Evolution, Science, Technology

Instagram has become a menace to society at large. Meta is truly one of the most irresponsible companies in history, in regards to violating the rights of its users and therefore, of humanity. Does Facebook still sell our email addresses? Their ethics are non-existant. Many other tech companies are facing scrutiny.

Honestly I do believe that Instagram has become an extinction level threat. The negative impacts of the irresponsibly managed company have already destroyed countless lives. Why don’t you report on that Instagram? In combination with the lack of responsible government oversight and regulation and obvious corruption, Instagram could cause the destruction of America and humanity. The failure of America’s government and American academic institutions and cannot be overstated. The social media companies are obviously also to blame.

Here are the leaked documents from Facebook and Instagram:

“In a blog post, Facebook released two slide decks that had informed the Wall Street Journal’s bombshell report(WSJ) from mid-September indicating that the company knew from internal research conducted in 2019 that its subsidiary platform Instagram was harming the mental health of teen girls, particularly when it comes to body image.”

“More than a year after the Facebook Papers dramatically revealed Big Tech’s abuse, social media companies have made only small, slow steps to clean up their act,” Sen. Richard Blumenthal (CNN Business) The Facebook and Instagram wellness hubs make ABSOLUTELY no mention of the data of these analyses, the statistics, or the math. They are trying to hide the tremendous amounts of negative data about them.

Children and even young adults shouldn’t have access to social media. The data is very clear. They aren’t ready for that kind of hyper-connectedness. They need strong nuclear family connections and during development these kinds of products are far too influential on them and turn them into products for advertisers and the social media companies.

The negative impacts of Instagram on youth culture in America have been a subject of growing concern for the adults populations at large. As various studies and reports highlight significant adverse effects, more studies are released about the harmful quality of the algorithms involved in the platform’s popularity and engagements. This is all supported scientifically, you can see the sources at the bottom of the article. There are a lot of them, because this is a well-documented problem.

Key issues involving social media use for non-adults include:

Body Image and Self-Esteem Issues: Instagram has been linked to negative effects on young people’s feelings about their appearance and body satisfaction. The platform can exacerbate risks for eating disorders and other mental health concerns such as depression and low self-esteem. A study cited by The Wall Street Journal found that 32% of teen girls felt worse about their bodies after using Instagram, indicating that the platform can significantly alter how young women view and describe themselves.
Mental Health Concerns: Instagram’s design, which capitalizes on the biological drive for social belonging, encourages continuous scrolling and engagement. This mechanism has been associated with mental health issues like depression, social anxiety, and self-esteem problems and is called . Exposure to Instagram’s narcissistically oriented content, driven by a business model focused on maximizing user attention, can have cumulative negative impacts over time.
Increased Mental Distress and Suicidality: Research implicates smartphone and social media use, including Instagram, in the rise of mental distress, self-injurious behavior, and suicidality among youth. The effects are particularly pronounced among girls, suggesting a dose-response relationship between social media usage and mental health issues.

“Most teens report at mental health issue” -<(instagram reports)>.

The Mental Health concerns can be further categorized:

Loneliness
Depression
Eating Disorders
Body Dissatisfaction
Body Dysmorphia

As an adult that once was a kid with the internet, putting hyperconnected into the hands of the youth is irresponsible at best. The highlight reel effect is omnipresent on the platform and isn’t really understood by most. Kids need to be taught this kind of stuff; parents are god’s tools and gurus for the youth. Your kids need you to help them navigate the thick and difficult world of technology that has become more and more predatory over time, from video games, to social media, to conspiracy theories, to just general laziness and confirmation bias and a sense of privilege and narcissism that seems to have become rampant in American society. Teachers, educators, and family typically share values to create humility, to share the good for the betterment of everyone who is ready to work for it.

With the advent of all of this new, super powerful technology, we are at a crossroads of a civilization. America can either learn to be ethical, to strive for the greatest good, or we will become a corrupt pile of shit-bags that just want to argue and compete with each other to be the best in some imagined competition. There is always hope for something greater.

These findings underscore the need for greater awareness about time spent on social media. and intervention strategies to mitigate the harmful effects of Instagram on the mental health and wellbeing of young people in America. If you know someone that is spending way too much time on Instagram, or Facebook, or any other platform, you should tell them. Be their friend in real life.

What Precautions can you take to Mitigate the Negative Impacts of Social Media

Take a break every 10 minutes. Try not to spend more than an hour on social media. TikTok has proven to be a data feed for China and its algorithm is very different for Americans and Chinese citizens. In a court filing, the former employee of ByteDance, Yintao Yu, alleged that the CCP spied on pro-democracy protesters in Hong Kong in 2018 by using “backdoor” access to TikTok to identify and monitor the activists’ locations and communications. There is certainly potential for this to happen to Americans, through Instagram and Facebook.
Remember that Instagram is highly manipulated. It is literally subsidized by the FBI, Homeland Security, and the State Department to monitor potential terrorist activity (this is actually a good thing right now, imo). However, even when you use your privacy settings, your social media accounts are not totally private. How much privacy an American citizen gets should at least be a matter of debate for the people, as well as our representatives. In most cases, Facebook, Twitter, Instagram, and other social media companies will voluntarily share your information and personal messages with law enforcement agencies, whether they have a warrant or not[²¹].
No one actually looks like the actors do in movies (although some are undoubtedly more attractive in reality because of their distinctive, unique, and charismatic personalities). Don’t compare yourself to others on the platform; deep friendships and family relationships are the most rewarding according to modern psychological data[²⁰].
There are significant weaknesses in Facebook’s and Instagram’s algorithms. They are very flawed. Deep connections are created and fostered in real life; digitalization of friendship simply isn’t rewarding to us. Social media is most effectively used as an enhancement to real life interaction, not the other way around.
Limit your social media use. 30 minutes per day, per platform is probably a lot, but reasonable for a younger adult. More time on a site might be acceptable for work; if you are growing a business on social media sites, I say good luck to you. Use it for friendship.
Explain to your kids what Instagram is. Teach them how it is flawed and how reality truly work.
Spend more time with your children and kids in general in the analog world. It’s where we are meant to be.

References:

the E.T. – Suppression

Leave a Comment / AI, art, edm, electronic music, music production, the E.T.

My latest track is out now via YouTube and elliottelford.com. This is very influenced by the recent events with Elon Musk (Go Fuck Yourself Bob Iger), as well as my generation’s (the millennials and Z’s) conquest for a better world. I hope it gets you excited about the release of Grōk, AI, and the cosmic future of humanity.

I spent a little while on this one, mostly on the mix. The sound design process has been pretty consistently expansive for me lately, and I keep fine tuning the frequencies of the sounds that I truly LOVE to make. I am not super impressed with the AI music making software yet, but I also remind myself that highly technical tools, such a RIFT, or PhasePlant are undoubtedly made with AI precursor softwares (which are human oriented). I can’t recommend these two plug-ins enough. They are top of the line and I really love and appreciate the products.

Henry Gray – the Father of modern anatomy

Leave a Comment / Anatomy, art, Organ Systems, Writing

By H. Pollock - [1] [2], CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=1458730

Henry Gray was an innovator and disruptor in the medical field with his surgically precise incisions and methodically meticulous explorations of the human anatomy. I love his work and have used the depictions from his book for much of my anatomy articles due to their lack of copyright.

Gray was born in Belgravia, London in 1827 and spent most of his life in London.

His book on human anatomy, Gray’s Anatomy, is still regarded as the anatomical bible of the scientific world. He was extremely precise and through his experience making painstakingly exact incisions and methodically mapping the physical anatomy of the human body. While still a student, Gray received the triennial prize of Royal College of Surgeons for his essay The Origin, Connexions and Distribution of nerves to the human eye and its appendages, illustrated by comparative dissections of the eye in other vertebrate animals.

The following year, at the age of 25, Gray won another prize for his essay on the Spleen(this is a fascinating read when you have time), and was elected a fellow of the Royal Society.

In 1858, Gray Published his first anatomy book of 750 pages and hundreds of figures by his friend Henry Vandyke Carter. They met at St. George’s School of Medicine. At first, when Gray wrote his essay on the spleen, Carter thought Gray was a snob. Over time and as they worked together more their respect for each other grew, largely due to their seriousness and commitment to the field of medicine. Initial conflict occurred with respect to the payment that Carter received from Gray for his designs, being in need of money, and that he judged inadequate for his commitment.^[5]

The images from these two scientific heroes are timeless. And luckily for me, they are copyright free due to their age and remain some of the most powerful anatomical depictions. I use many of them in my anatomical articles on this website.

Henry Gray’s Death

Gray was struck by attack of confluent smallpox, a most deadly kind of disease. On 13 June 1861, the day he was to appear for an interview as a final candidate for a prestigious post at the St. George’s Hospital, he died at the age of 34.^[3] He was buried at Highgate Cemetery.^[4][5] Gray had been vaccinated against smallpox as a child with one of the early forms of the vaccine.^[6]

He is assumed to have been infected due to his passionate care giving for his ten-year-old nephew, Charles Gray, who did recovered from the deadly disease.

The Style of the Book

had a major influence on science that has since but irreplaceable. It is reminiscent of the evolution of art from Classicism to Hellenism in Ancient Greek art, throughout the Renaissance and afterwards, in that the accurate and precise portrayal of the human form was the primary goal. Read more about the stylistic evolution of anatomy here.

You can buy a cool version of Gray’s Anatomy Here.

References:

The Wanderer, Part 36

Leave a Comment / art, The Wanderer, Wanderer Series, Writing

Read see the first story of this series here: The Wanderer, Part 1

or the latest story here: The Wanderer, Part 35

Tas slowly woke on his cot, finally not remembering anything from his dreams. He had become very tired of the incessant dreaming and wanted nothing more than to rest in the warm comfort of his companion Yaina in the darkness, but she wasn’t there. He rubbed his eyes that were coated with crusty sleepies and he was as sore as he had ever felt in his life. He assumed it was his last night of good sleep for a while. Today they would reach the monastery and begin planning with Fei, the monastery’s keeper for his last journey into the shadow-realm. And Tas was finally feeling his normal, old self.

The trek took the better part of the morning. Tas walked with Ice in the lead, occasionally feeding his companion the last little scraps of jerky as they went along. The whole group was walking rather slowly and Ice was very focused on scouting the trail ahead. He eventually found something in the forest, but Yao and Yaina were deep in discussion behind them and didn’t notice, though Tas had no idea what they were saying. He was trying to relax and enjoy his clear mind so he simply followed Ice.

They traversed off the beaten path into the jungle, where the bugs were loud and birds were singing high in the trees and calling to each other. Ice quickly led to the base of a large baobab tree and tried to his his claws to climb and jump up the tree, but could get more than a couple hops up. Tas got to the base of the tree and looked up to see two large apes sitting, looking down at Ice. The second they noticed Tas approaching, their attention shifted and Ice stopped his attempts to climb the tree. Tas sat next to his anxious wolf friend and was content to look up at the large, very intelligent looking animals. Then the primates descended down the giant tree, obviously interested.

Tas waited patiently, but Ice wasn’t quite as docile. He started to pant and pace anxiously, though the apes paid him no mind and jumped the last couple meters to crouch softly on the earth.

Then, to to the surprise of all, they spoke.

“we know of your journey, friend, Tas and wish to warn you of your supposed friends at the monastery. Your journey is perilous and you should trust no one. Especially the monks at the monastery. Friend will become indecipherable from foe as you continue deeper into the nether.”

“what should I do?” Tas said, shaking his head in disbelief at what they said. How could he continue if he didn’t trust Fei, or Yao, or Shu.

“Wait, observe, and watch all around you. Only your friend here is trustworthy.” They both looked at Ice with a certain interest that Tas couldn’t place.

A soft rustling came from the thick of the brush deeper in the jungle, and from the dark shadows a tiger appeared. This was the cat that Yao has sensed earlier. Ice was on edge by Tas’ side; he could feel his apprehension, though his white furred friend was silent.

The cat approached silently, and the apes appeared to also be apprehensive, though unreactive.

“I have been watching your journey for the past few days, boy. I have been interested in you and what you are doing. Tell me, why is it that you travel so far? Through my domain, nonetheless.”

Tas replied slowly, knowing the cat wouldn’t want to hear anything short of the truth. But how much truth should he share?

“We are returning to a place that was destroyed by the likes of a dragon. Do you know of what I speak.”

The tiger hissed, spitting wildly. “yessss I know of this enemy. I have lost several of my hunting grounds to the dark fire that this demon began.”

“Well,” Tas said growing sure that the tiger wouldn’t eat him after he told him more. “I am going to slay him.”

At this the apes panicked and Ice followed. The cat crouched and immediately sprung at Tas, claws outreached and teeth barred. But the one of the giant primates had grabbed a rock, and slammed it into the face of the tiger. The other brought his arms around the neck of the tiger and Ice simultaneously attacked the tiger’s throat, ripping through the flesh. The ape with the rock continued his assault until the tiger’s body convulsed. The whole ordeal took but a minute.

The apes looked at each other in confusion, but also a shared communication passed between them that Tas could see, but didn’t understand.

“The enemy will take all forms of being, my young friend. Travel lightly, and again, trust no one. Except your friend here.” They looked down warmly at Ice, who continued to drink in the blood of the tiger. After he was finished, the apes took the corpse up the tree and bid them farewell. Ice and Tas returned to their perilous path to continue to the old monastery.

After a short time of returning to the monastery’s path, Tas could see the small road winding up to the hillside to the stone walls at the base of the monastery’s overhanging garden. He was happy that they had almost arrived, but there was no sign of Yao or Yaina. They must have travelled before them.

Paj and Shu greeted them at the recently rebuilt entrance, undoubtedly having foreseen his arrival. They both looked rested and recovered, though apprehensive. The garden, however, looked very overgrown compared to the last time that Tas was there; the bushes had grown thick and the grass was peeping through the dirt on the paths. The rest of the monks where nowhere to be seen. They could only see Fei on the balcony, looking out at them as they rose to the courtyard. His large smile put them all at ease, though after their recent debacle, Tas was skeptical of all of his old friends.

The two monks, Tas and Ice walked up the spiral staircase together to meet Fei. Yaina and Yao had arrived previously and were a little uneasy. Tas explained what had happened with everyone. Fei continued his smile at first, but his smiled waned as he learned of the tiger’s attack and the apes warning. Yao brought light back to the conversation immediately. “well, you’re not dead yet! Maybe I should push you off the balcony and speed up the inevitable!” Tas felt a warmth and fondness grow through him for his master. He always missed this nonchalance when Yao wasn’t there. The feeling inside gleamed like the light from the sun.

Fei took the chance to continue lightening the atmosphere: “Welcome Tas and company, make your selves at home. Paj and Shu will prepare a couple of rooms for you.” He bowed deeply. “We will meet this afternoon before the sunset. In the meantime, Tas, why don’t you go with Shu in the lower levels of the garden? You will be undoubtedly very happy to talk and catch up on what has been happening in the last month while you were traveling. Fei winked and walked away, Yao in tow and Yaina slowly followed after with Paj. She looked back at Tas with a light smile as she left. Tas could tell that she was worried for him. He knew they would be planning for later that night.

Tas walked down the balcony and headed towards the gardens with Shu, his first monk teacher. It truly was becoming wild in the monastery, even some smaller trees had begun to grow and there were swarms of insects moving about; everything was dissheveled. Tas had to swat at them to keep them off of his face, but it was nearly useless.

Shu moved into the center of the lower terrace and together they began meditating and oom’ing without even talking. After several minutes of quiet, they opened their eyes and Shu’s smile split open wide, eyes squinting against the light. Tas smiled back

“Tas is that you?!? I’ve missed you my friend!” and he immediately arose to embrace Tas. Tas was a little startled, but settle easily into his friends weight. He certainly was sore from the stress of his long journey.

“I’ve been traveling a lot Shu.” Tas said slowly. “I am so tired and I’m not sure what to do other than go back into the nether and face what’s there for me.”

Shu replied slowly, “well, my young friend, there are only two ways that I know of to rejuvenate the body. The first, is sleeping. If you haven’t had any of that, mediating can restore your energies in a similar way. Let’s mediate for a time, and perhaps you will feel better!”

Tas was in position to refuse. He desperately wanted his energy back. He had woken up with so much and now there seemed to be none and the sun was still high in the sky. Shu and he sat for a short time, before Tas grew impatient. Shu wasn’t saying or doing anything but sitting there breathing deeply. Eventually Tas’ patience ran out and he sighed to get up.

Shu sat him back down, and smiled, “not yet my friend. We will sleep while you are awake! Breath deeply with me and lets restore your energies.”

“But I need to sleep to truly heal and regain my strength.”

“these limitations are made up by your mind my friend. Breath with me slowly and deeply and you will find the sleep that you need.”

So Tas tried to sit still and breath deeply and after a time, he felt himself falling into a deep trance. The light inside of him grew bright and he soon felt as light as a feather. Shu continued to breath next to him, but his breathing was making Tas tired, and soon he felt himself lay back and drift off, darkness once again surrounding him completely.

Wonka’s Wubbalicous

Leave a Comment / art, Audio, edm, music

I’ve been designing sounds for about 7 years now, far more often when I first started in India than I do now (because I have to survive and make money), but I’ve gotten pretty good at making all kinds of different sounds now!

This most recent track is a dubstep adventure through the frequency spectrum, I made it pretty simple to emphasize the bass and added a Japanese Erhu as the lead to create some interesting contrast to the deep dark bass sounds that I love. I hope you enjoy it!

Stream on Soundcloud:

Download a high quality WAV file of Wonka’s Wubbalicious here:

theET_wonkas_wubbalicious Download

Taking Time off Landscaping to Recharge

Leave a Comment / art, fencing, landscaping, yoga

The summer months are getting hotter and hotter in Northern California with increased risk of fire and smoke from the lack of proper management from the California Bureau of land management, which is obviously very inefficient (as evidenced from the record setting fires from the past 5 years).

This makes landscaping and fence building very difficult, and sometimes completely impossible because of hazardous smoke conditions. However, I was able to finish a few more fences before the fire season got under way with the record setting Dixie fire (the second largest in California’s history).

Finished Fences before Fire Season

I have been getting more skilled at decorative fencing and have gotten a lot more tools in my belt (including a chop-saw, a table saw, and a paint sprayer) since I first started doing big fences at the beginning of the year. I typically remove all old concrete and prefer new construction rather than repair. Dealing with other individuals work is typically very difficult as people tend to cut corners when constructing fences. I am very proud of all the work I have done and I think my customers are very satisfied with the level of quality and of service that I provide. I also paint now as you can see below!

The bottom 4 pictures are of a cattle fence repair that I did out in the hillsides. The customer wanted to save money (which I never recommend with construction because you get what you pay for) so I did my best to find less expensive wood and keep the costs down. Overall I think it turned out great!

After 3 months of Grinding in the heat, my back was in bad shape.

So I took some time off landscaping to refocus on my yoga practice. It was an excellent start to the year, but now its time to wind down and enjoy all of the progress that I’ve made this year and to get more efficient with my business!

My yoga practice has progressed a lot recently, I’ve restarted my work on the primary series and will be offering a new workshop on September 4th for the Yoga Chikitsa. I am also starting a new Hot Yoga class in Auburn today, at 7pm. I’m really looking forward to it!

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Recently Constructed Fences and Gates

Leave a Comment / art, construction, fencing, landscaping

Noer the Boy’s Futuristic Sci-Fi Bass Album Review:

Leave a Comment / Album Review, art, EDM Album, electronic music, Experimental Bass Music, music production

A Forlorn Hope

Noer the Boy is at the helm of a new generation of pioneers exploring the frequency spectrum through abstract bass music. His beats crush with punishing distortion and his music seethes with melodic and harmonic intricacies that will being your dance moves to the next level. From his background in marching band, choir, and video editing; Noah grew a fascination with kinetic beats, industrial sounds, and the unrestricted freedom of computer sound creation.

Noah is 27 (August 3rd, 1993) from Milwaukee, Wisconsin. Noah was born and raised in Appleton, which is about an hour and a half from Milwaukee on the northern end of Lake Winnebago. Noah studied music and band in high school playing the French horn, which is pretty damn cool and also became a drum major for his high school, Appleton East.

Noah is a member of DJ Shadow’s imprint Liquid Amber, Los Angeles collective Courteous Family, and Noisia’s DIVISION, Noer the Boy has also released music on Mass Appeal, VISION, Alpha Pup, and Orange Milk Records. Noer teamed up with Shadow to co-produce ‘Horror Show’ featuring Danny Brown and tour Europe following the release of his debut album ‘Mechanism’. His sounds have grabbed the attention of bass music figureheads G Jones, EPROM, Machinedrum, Ivy Lab, and the Low End Theory club night in LA.

Noah seems to be in a solid space, even with the impact of CoronaVirus in 2020. Pretty awesome considering he now makes a living off making music, sound design tutorials and sample packs, and has an awesome Patreon where you can get exclusives of all his newly released tracks, as well as deeper packages to help music creators augment their productions. He works hard for it and his sound reflects that.

I’ve been lucky enough to take lessons from Noah for about the last year and a half and we’ve been drilling down into mix engineering, deeper sound design, and modular synthesis. Noah is really a wiz at music, so make sure you follow him because he will definitely be releasing new music. He’s recently started to make heavily synthesized house music, or electro, which I have to say I am ecstatic about. Electro-House is my favorite kind of music.

I interviewed Noah about A Forlorn Hope, in an effort to get a better understanding of his music creation process, and what this latest album means to him. I loved the album, especially Shapeshifter, Nebula, Exile, and Rule of two. The whole album certainly deserves a listen on some high quality speakers! (your car is probably not loud enough). Check out the Q and A with Noah below and leave a comment if you feel inclined:

Interview with Noer the Boy

Q1. Elliot: “I personally love all of your music. But this album seems special. I think it hits harder than most and that the sound design is pioneering. What kinds of processes and techniques do you use to make your sounds and mix stand out so much? What kind of special sauces do you use to create such a punishing sound?”

A1. Noertheboy: “Don’t underestimate the power of layering. A few simple sounds or effect chains can combine to form something that appears much more complex than it really is. Treat sound design as building with lego bricks – maybe the instructions are useful but also maybe you want to experiment instead.”

Q2. Elliot: “A Forlorn Hope has some of my favorite tunes on it. But I think that the title track is special and its kind of the motif of the album. Its fat. What inspired you to create that track, and the sounds that are in it?”

A2. Noertheboy: “Without giving too much away, Forlorn Hope is about a doomed journey to the edge of the known universe. ‘Forlorn Hope’ was originally named ‘Event Horizon’, but after watching the 90s film by the same title I didn’t want people to think I made the record about that movie.”

Q3. Elliot: “My favorite track is Nebula, I’m not sure why, but I just love the cohesion of the track and the melody that persists and finds an apex near the ending. What are your favorite parts of the album, and why?”

A3. Noertheboy: “It’s impossible for me to pick a favorite from my album. Each album track is my favorite for a different reason. If I don’t feel 100% like it’s my favorite song made so far, it doesn’t make it on the record.”

Q4: Elliot: “How did you come up with the theme and storyline behind the album? Its pretty cool. It reminds me of a combination of Lost in Space, Dune, or maybe the Abyss.”

A4. Noertheboy: “‘Forlorn Hope’ itself is a term for a group of soldiers tasked with a leading mission, usually a suicidal mission where casualties are high. That combined with my love of deep space SCI-FI films have influenced me a great deal. The Alien series, Interstellar, War of the Worlds, 2001: A Space Odyssey – movies like those have shaped a lot of my sonic identity. The world that ‘Forlorn Hope’ exists in is also the same world that my first album ‘Mechanism’ takes place in. I’m a big fan of concept records.”

Q5. Elliot: “You said on your instagram that writing this album has been particularly Cathartic for you. In what ways have you grown personally and professionally from writing A Forlorn Hope?”

A5. Noertheboy: “I only start write an album when I have something new to say and new tools to showcase. So a lot of growth has to happen to get to that place. And the album writing process itself is transformative. Writing a few songs will undoubtably inspire me to write more and that process leads to rapid growth and breakthroughs that might come much slower if not for writing a cohesive LP.”

Q6. Elliot: “How long did you album take?”

A6. Noertheboy: “The process took a little under a year and a half.”

Q7. Elliot: “How long have you been writing music? What was your first show like?”

A7. Noertheboy: “I’ve been writing music as Noer the Boy for going on 8 years, but music has been an integral part of my life ever since I can remember. My first show was a house party in college and I remember playing hella Pretty Lights, rap music, and Skrillex mashups IIRC. Shoutout my old music homies Kaelin and Alec for playing with me at that first show!”

Q8. Elliot: “You’re pretty good at writing music, Noah. But why do you make it? What’s your primary inspiration. (or 2, or 3)”

A8. Noertheboy: “Music put simply is my everything. It’s what I know. I’d make music if nobody listened.”

Q9. Elliot: “Is there anything else about the album that you want people to know? Maybe you can comment on how you feel about it being finished and out there in the wild to have a life of its own?”

A9. Noertheboy: “Shirts and vinyl copies are in the works! Big thanks to everyone listening and sharing the record, I really appreciate it.”

Q10: “Any last notes? Any coronavirus advice?”

A10. Noertheboy: “Take the stay at home orders seriously so we can get back to enjoying live music.”

That’s it for the interview, feel free to comment on anything and make sure to check out this very avant-garde production from Noer the Boy – A Forlorn Hope.

You can buy the Forlorn Hope album on Bandcamp to help support Noah in his journey. You can also follow him on Twitter, Instagram, and of course, on Facebook.

the E.T. – Crystal Caves is OUT NOW

Leave a Comment / art, Audio, electronic music, Experimental Bass Music, music, music production, the E.T.

Sorry its been so long since I’ve posted about my music here. I’m getting back into the swing of my second job (yoga instruction) and I started a new landscaping business this year, so it has been very difficult to find time for things other than work and relaxing from work, and music requires a lot of attention, effort, and time.

the E.T. · Crystal Caves [Bass]

However, I have been working super diligently on my music and continuing my lessons with Noah, aka Noer the Boy, whose music you can check out here. He’s a really talented dude with an incredible grasp on distortion and how to manipulate sound to create ultra heavy beats, so make sure you check out his music. His melodies are also really incredible, make sure you listen to his latest album: Forlorn Hope.

Melodies

The biggest challenge thus far in learning how to write music has certainly been learning to write effective and ear catching melodies. Ideally, to create melodies that resonate and build upon themselves to create an overall harmony that is enjoyable. Thus the release of ‘Mystery’ and ‘Go Big’, which are by far the most melodically oriented tracks I’ve made. I have kinda pushed sound design to the side to explore music theory in more depth and to get a handle on mixing, which has always been really challenging for me (before Noah, I was completely self-taught via youtube). I’m thinking about getting another mentor also just to keep growing in different ways. I’m also working with my buddy who is literally the best guitar player I’ve ever met, Rich Santana, to start making more analog sounds (drums, guitar riffs, bass riffs, etc). I’ve also picked up the Arturia CMI Fairlight and Buchla Easel emulations, which are super fun and incredibly unique instruments.

the E.T. · Go Big

Mixing

Learning to mix has been quite the journey for me. I got into music because I love sound and experimental beats, similar to Mr. Oizo, Daft Punk, Deadmau5, Eprom, and No Mana, but obviously all of the artists I just mentioned are fantastic mixing engineers. Experimental sound design isn’t really that cool unless you can properly mix the sounds, because of the overlap of the distortion and lack of quiet in certain parts of the frequency spectrum. I am continuing to educate myself on how exactly to mix sounds to create heavier beats and will continue this journey for a few decades, I hope.

Crystal Caves – Elliot’s newest track

This brings me to my latest piece of music, an abstract BASS track that I call Crystal Caves. This is significantly slower than the majority of my music, because I am trying to branch out from my favorite genre, house music, to play with more experimental and heavy rhythms. I’ve also worked out longer intros and some serious layering of melodies in combination with tighter mixes through precise equalizing and compression to make more cinematic music.

Get my music pretty music anywhere

The track is available on most streaming outlets and I’ve actually used a 3rd party distributor for this track instead of using DistroKid, though I am very skeptical of continuing to work with any distributor. I want complete control over my own music, which makes it tough to even send my stuff out to labels. Please share my track with your friends if you like it, I also really appreciate anyone who reaches out to me with a comment or even a buck or two to support my journey in making music. But I really appreciate anyone who is just willing to give my music a good listen.

Follow my releases here: https://linktr.ee/etelford32