the E.T. – EROS Introduction | Novaborn | J the Alien

EROS introduction

the E.T. presents:

EROS INTRODUCTION

Introducing EROS

EROS INTRODUCTION: The EROS album is definitely a step-up from my previous work. The mix quality as well as the writing is just on another level (thanks to a lot of hard work). I am attempting to write songs with a new degree of depth, EROS is a result of that search. Now for the EROS introduction, my latest work and music that I am very proud to present to you.

I have taken a lot of influence recently from old rock music, especially Pink Floyd, the Beetles, Led Zeppelin, and Jimmy Hendrix, specifically. The ideas of concept albums and how Pink Floyd used them to talk about ideas that are pervasive to the human experience. I’m in love with how Led Zeppelin plays to ideas and how all of the artists create stories with their music. Especially Hendrix.

So I have attempted to adapt my own methodology to create a concept for an album that I think can stand the test of time. EROS is an alien concentration camp of Mar’s moon that all of my tracks focus around. I am almost finished writing the tracks built around these concepts and there is a full storyline to accompany it. EROS tracks has been nearly 6 months in the making! So here’s the story.

EROS was originally going to be a trilogy

 

I decided to cut down the track count to about 7 or 8 and just take the best. I have also signed one of the tracks to a label. More on that later. Now to introduce EROS and the Universe that exists around the alien concentration camp.

EROS Introduction

Part 1: Introducing J the Alien

Introducing the main character of the Saga, J the Alien. J is an alien, in fact, he is the last being of his race, a once populous and prodigiously successful civilization until the collapse of their neutron star. Now a being must be born into a collapsing star in order to absorb the necessary energy into the incubation process. The energy requirements are so enormous that a birth causes the neutron stars to collapse within a millenia. The Novaborn live until they are killed.

Novaborn – the birth

Future Bass Hybrid

Novaborn is the story of J’s birth, the first part of the EROS introduction. He was birthed without any knowledge of his ancestry into the darkness of space. Upon waking for the first time post-incubation, J is guided via the Novaborn AI, Celexa to his new homeworld, Celexus. Celexa encountered a planet during the incubation process and already begun the terraforming process to make the atmosphere suitable for J to arrive and begin mining the crust. His first quest inundates J with knowledge about his species, their energy consumption, the energy costs of his own life, and the recognition that he is the only one of his kind. J’s life is a search for energy, to keep himself alive and to revive the Novaborn species.

J the Alien – Introducing the main character

Future Electro

J is a very unique character that I am very excited to share. I had an entire album built to explore J’s universe and existence. But I scrapped 5 tracks and combined the rest into the EROS saga. J has all kinds of incredible technology and unique attributes. Luckily, these attributes  make for harrowing and mind-melting adventures through the cosmos. I will release the next tracks ‘very soon;.

I will be releasing more music within the next three days, most notably Positron, which is at the basis for J’s technology and existence. Also check out this music video for Novaborn in the meantime:

Also, check out my previous album, HAZE.

Clozee’s Unique Style of EDM takes the West Coast by Storm

CloZee Harmony

clozee_portrait
Clozee – Bringing in the Future of Bass Music

Clozee’s music is a dynamic fusion of influences. Categorized into the genre of World-Bass Music, CloZee brings a fresh take on EDM, combining eastern instrumentation with western bass music and creating a fusion that is uniquely identifiable as her own style of music.

Dafuq is CloZee?

CloZee is the musical alias of Chloe Herry, a 25?y/o native French speaker from Toulouse, in southern France, which is really cool, I would love to speak some French with her (cause southern speakers are much easier to understand than native Parisians, which is where I learned).

CloZee didn’t release a single track until she was 19 and her popularity grew from humble beginnings. Chloe is a classical guitarist and she uses her instrumentation to create the soaring melodies you can hear in all of her tracks. She specifically uses FL studio and gives massive praise to the stock effects, which are normally highly undervalued, especially by beginner producers.

Eastern Instruments in CloZee productions

A BIG part of CloZee’s sound is her use of eastern and unique instrumentation. In her latest album, Harmony, CloZee utilizes a Guzheng, or Chinese Zither or harp which has been used for over 2,500 years. She also uses a Harmonium as her lead Synth, a Morin Khurr (Mongolian Horsehead Fiddle) for increased texture and to add sensation to the overall feel of the track, and finally an Erhu to compliment the other instruments in the higher frequencies. She also uses saxophones, unique drum samples, and funky percussive arrangements to create some of the best dance music I’ve ever experienced. I know she is also using other instruments, but these are the ones that I was able to pick up on. She also loves to use different kinds of flutes and her guitar melodies are always on point.

Harmony is a fantastic name for the main track of the album, and honestly it’s hard for me to understand why it isn’t her most popular track. Probably because Inner Peace and Koto are also powerful compositions, each a journey in their own respect. Expect big things from CloZee’s music as Chloe continues to evolve, she keeps getting better and better!

A Pioneer of World Music and Bass Fusion

CloZee’s music is uniquely cinematic. The combination of sounds that she uses nearly always leads itself to different experiences while listening to her tracks. Each track is very unique and seems to evolve as my taste in music grows. Here are my favorite tracks from her discography.

CloZee’s Top 5 Tracks:

  • 1 Inner Peace

  • 2 Aspara Calling

  • 3 Harmony

  • 4 Koto

  • 5 Red Forest

The Modern State of Music and the Future of Bass Music

CloZee will undoubtedly have a big influence on the future of Bass music (see this article on the top artists), she is pioneering into unexplored territory with her current products, so get ready for some mind-blowing work.

She has partnered with Psymbionic for her last US tour, which was great because I feel like both of their music is extremely different and powerful. Looking forward to seeing her live!

You can buy CloZee’s latest album HARMONY here: GRAVITAS RECORDINGS

AND make sure you follow Chloe’s Soundcloud, she will probably release new music soon! Also check her out on Spotify, Youtube, and the other streaming networks. I won’t be surprised if her music is in a movie soon!

Sources

  1. FEEDBANDS
  2. CLOZEE MUSIC SITE
  3. IMAGE LINE BIO
  4. GLITCH HOP COMMUNITY INTERVIEW
  5. BASS FEEDS THE SOUL
  6. CLOZEE’S HARMONY ON SALE @ GRAVITAS

 

HAZE – the E.T.

HAZE - the E.T. (offish_back)

HAZE an EDM album by the E.T.

Haze is the next level of evolution for the E.T., with 9 brand new tracks and a ton of new inspiration. This is the E.T.‘s fourth independent album and the quality continues to skyrocket. I worked extremely hard on all of these tracks and appreciate any and all of the support that I get.

So without further adieu, enjoy the adventure:

HAZE – the E.T.

TRACK 1 – HYPER DRIVE

Hyper Drive was one of my favorite tracks ever to produce, I’ve literally spent the last 4 months writing in all of the melodies. I take a lot of influence from Skrillex, Porter Robinson, Odesza, Daft Punk, and Wolfgang Gartner in writing this track and used a lot of sounds that are pretty similar to them.

The intro is a fantastic voyage through the different textures of the track, mostly using the Juno synthesizer from Yamaha, which I am now using in most of my productions. It cascades into a radiant bass-scape with heavy engine shutters and grimey dubstep basses in combination with some really beautiful melodies.

The ending has a synthesizer solo that I created with Serum, its pretty grungy and awesome to listen to and sounds different, every time that I hear it. Enjoy the adventure through sonic space-time!

TRACK 2 – ACID URINE

Acid Urine is a Dubstep track that has actually been finished for a couple of months. I’ve been making final touches to it, so you can definitely consider this one of my more thought out tracks. It is pretty original, lots of weird sound designs in it, but overall it pumps and I think it gives a feeling of future dubstep, kind similar to G Jones. I have a track that I am producing right now that sounds pretty similar to him, so I can see that influence continuing to grow.

Enjoy the heavy bass-lines, it gets really dancy at the end. So glitchy, and yeah the first drop is heavy, turn it up.

TRACK 3 – ESCAPE ENDOR

Escape Endor is probably my favorite track that I have produced. The Arp in combination with the Bass synthesis is just so groovy and in combination with the vocals, its vibes create an almost irresistible booty shaking.

It reminds me of when Walker Boh escaped the Martixy thing in the book Terry Brooks wrote about the Elfstones. Like Neo in the last scene before he becomes a demi-god or whatever.

It’s a little cray, but turn up the bass cause the mix is solid.

TRACK 4 – FORCE

Force is a Bass-House track that kinda came outta nowhere in the last week of writing the album. The melodies and bass are simple, but powerful and fun. Turn up the mix on this one, it will definitely get you dancing.

TRACK 5 – BROKE

Broke is a pretty special track for me in how it represents my continued advancement into the genre of Glitch-Hop. The soundscape is insane and the sub is almost overpowering in the mix, but the sounds of dubstep interlace some glitchy and beautiful melodies.

Broke contains some of my most unique sound designs and many of the sounds will be used in the future to fit into my future trap/bass/glitch-hop tracks.

TRACK 6 – LUCID

Lucid is a Future Dubstep & Trap Adventure that was very much inspired by the music of REZZ, which I find to be hypnotic and a bit simple, but very compelling. This track hits hard and has some really cool bass sounds so make sure you listen with at least a little bit of subwoofer.

TRACK 7 – DISCOVERY

Discovery has my favorite melodies of the entire album. To me, this track is all about inspiration and finding after the search, it really was quite a surprise to come up with some of the excellent sounds that create this dreamscape. Very inspired with my sound design in the Yamaha Juno series, expect some exciting melodies in combination with some filthy bass.

TRACK 8 – HIVE BUZZ

Hive Buzz is a French House track, meaning that I took an old disco sample, then turned it into a house beat. The bass here is undeniably booty-shaking and the melodies are a beautiful contract to create a disco-like future-house atmosphere. Tell your friends!

TRACK 9 – JUNO

Juno is the final track of Haze and contains some of my most ambitious sounds from the album, many of which were created in the Juno synth and from using emulations. It really is an incredibly good sounding synthesizer that represents the 80’s so expect some retro sounds in this track, though the mix is extremely modern. I love the vocal manipulations and how they turn into a kind of atmospheric melody for the track.

HAZE was probably about 500-600 hours worth of total work. I really have worked my ass off for the last 6 months to bring you guys these tracks, so if you enjoy them, please help me to share them. I am also creating a little commentary track on writing the album that I will include with the FREE DOWNLOAD BELOW.

The Future After HAZE

Now off to the future of the E.T. I am pretty sure that I am going to enter into CloZee’s remix contest, her latest mix with Pretty Lights was spectacular and I absolutely love her sound. It seems to be the perfect next step.

I also have a couple tracks that are in progress, of course 😉 One is called ‘Blow It’ and sounds a lot like G Jones, and I am working towards that level of Glitchy-Future-Trap and Bass tracks. Look forward to the future 🙂

The album will be out on Streaming Services within a week.

 

 

Bleep Bloops Bass Sounds will leave you wondering what planet you’re on.

Bleep Bloop’s Music Rages Ahead of Modern EDM

Bleep Bloop or Aaron Triggs is a future legendary Trap producer. He continues to make a name for himself in the bass scene, making future trap and heavy dubstep with G Jones, Proko, NastyNasty and Yheti.

Bleep Bloop uses some interesting and mysterious gear, though its well rumored that he uses a moog sub phatty for a lot of his tracks. Fat licks and heavily distorted industrial inspired basses lace his thick trap beats. His style is pretty similar to G Jones, and they have a good amount of tracks together. Proko and Bleep Bloop made one of my favorite tracks together, Disc Error, definitely listen on soundcloud.

Expect Big Things

Bleep Bloop is leading the way in a style of music that is new to the scene. His dubstep is starting to pick up some massive traction. This year he’ll be supporting Rezz on tour. The quality of his music will only continue to improve with time if he continues to do what he is doing. That makes me pretty excited for the future of EDM.

The West Coast Bass Scene has a lot to look forward to….

Combined with Eprom, G Jones, Proko, Yheti, etc the bass scene in the west has a lot to look forward to. Bleep creates some wonky analogue style sound designs and layers on some thick bass. Then he maxes out distortion and smashes the side chain for some face melting beats. Bleep Bloop brings it when he plays so if you ever get a chance, make sure you’re ready for this kid to blow your mind.

Check out his PV500 Mixtape

Bleep Bloop’s Latest EP: ‘the EP with Five Eyes’

Top 5 Tracks

  1. Water on Mars
  2. Slippin
  3. 404
  4. Disc Error
  5. Venom

Upcoming Tour Dates

 

 

 

G Jones continues to excite with his unique style of Future Trap/Dubstep

G Jones

G Jones – Experimental Bass at its Finest

G Jones is a pioneer of the electronic music scene and has been pushing the boundaries of live performance DJing in the underground for several years. He has played under a few different aliases including Grizzly J, . Greg Jones is the creator’s real name. But G Jones is what the bass music fans are  shrieking alongside Bass Nectar, Bleep Bloop, Yheti, the Widdler, Bleep Bloop, Zeds Dead, Nasty Nasty, and Pretty Lights.

Jones has created with several artists and is definitely a rising star of the bass music scene. His latest album “Visions” is one of the most unique albums ever. It blasts distinctly unique bass sounds designed for louder systems. Check out the album below, stream it on youtube or BUY THE ALBUM (def worth it.)

G Jones’ soundcloud is chalked full of hits so make sure you check out his unique style of dubstep and future trap. Not really sure which it is. Don’t really care.

His latest release of Eprom’s Pineapple is completely ridiculous and true to the style of Visions, which is fairly evolved from his ‘EYES EP‘ four years ago. Also check out his collaborations with Bleep Bloop, including the 4 track ‘MIND EP‘. Also check out Bleep Bloop’s entire discography to melt your brain a bit, the dude has some seriously talented ears for dropping massive and unpredictably delectable dubstep beats into your lap.

Top G Jones Tracks

listen to some of my favorite G Jones tracks below:

G Jones Visual Style

G Jones, like many of the experimental bass artists on the West Coast Underground (see my list of top artists here) is still developing his visual style, however, the momentum that he has going right now is pretty incredible. He has started to team up with Bass Nectar, so expect this artist’s visuals to start pushing EDM further.

The west coast bass scene is continually undergoing major changes. The industry continues to move at a faster and more tremendously unpredictable pace. We get to see how Greg develops the brand of G Jones. And how he continues to reach the underground as he becomes more and more popular.

The Future of Trap and Bass Music

Huge sets in 2018 as well are new releases are a must. Expect this artist to shine in the years to come. Huge releases from Yheti, Bleep Bloop, and Proko lead one to get really excited for the potential of the entire bass music scene. 2018 will be huge for the bass music scene in California as it continues to mature. Find some more info below.

Sources & Links & Stuff

Haze EP Releases 9/1/17

HAZE EP Cover

The Haze EP

Haze EP is a group of some of the most unique electronic music tracks that I have ever listened to. Sometimes, I can’t believe that I created a few of the tracks.

Each song is kind of a world of sounds because I do all of my own sound design. Then I take the highest quality analogue samples and mixing the hell of of the track. The sound is nothing short of galactic adventurous. My journey through music continues to evolve and these latest tracks take the quality to a new echelon.

Haze has some of my favorite music ever on it. I’ve always had a certain taste in electronic music and I am very excited to share how I like it with the world!

Diving into Sound Design

Of course, the kind of music that I enjoy is an ever evolving taste and honestly, I hope to be able to follow this path forever.

My handle on the technology involved continues to grow firmer and my sound design skills improve as I continue to experiment with my different synthesizers, Serum and Zebra2. Operator is and always has been my go to. My ability to create unique bass sounds grows more and more potent as I also hone my mixing, the two go together really nicely.

I have begun to split frequencies far more often to great effect. I feel highlighting certain frequencies in the bass spectrum becomes really important as I get more detail oriented with my bass music.

The Tracks

I finished composing nearly all of the tracks for the album and will release a few of them early. I might release one tonight, actually. This time, I am giving myself plenty of time to finish all the tracks.

So I will tell you my favorite tracks and why before I give you the Haze EP track list.

HyperDrive is my favorite song. I love it because it represents a beautiful style of electro house that has been a little bit forgotten. This multilayered Future-Bass influenced house track will leave you feeling like you just visited another world.

8R0K3 is also my favorite song. It has some of the most unique soundscapes I have ever made and drops like a champ. The bass is fucking wonky and super glitched out. The sound design is so unique, it’s very weird to listen to it in different environments. But so far, the tests have all come back positive!

Lucid and Digital Eternity are both Bass oriented tracks that I really want to play live. They have certain rhythms to them that are very unique, kinda remind me of REZZ. I am definitely hoping that this album helps me to get live at local festivals and stuff like that. Here’s to detachment from results.

HAZE EP

  1. HyperDrive – Electro-House
  2. Lucid – Future Trap
  3. Escape Endor – Tropical House
  4. Digital Eternity – Future Trap
  5. Force – Complextro-House
  6. Entering Orbit – Glitch-Hop
  7. 8R0K3 – Glitch-Hop
  8. Acid Urine – Dubstep/Trap
  9. Cybertron – Dubstep
  10. Exoskeleton – Techno-House

Expect sounds that you have never heard before and some mixing techniques that will get those speakers bouncing. These tracks are great dance tracks and I can’t wait to release them. First release is coming soon, get stoked!

Proko drops First Contact and the sound is otherworldly

proko drops first contact

Proko drops First Contact

Proko drops First Contact to unsuspecting humans everywhere. Troy Prokopowich is most certainly an upcoming artist to pay attention to, moreso than anyone (imho) except for his buddies G Jones, Yheti, Nasty Nasty and Bleep Bloop of whom equal attention ought to be paid. Proko released First Contact 3 days ago to a tremendous amount of support from the underground community on soundcloud. He’s been touring with G Jones for a while now and BassNectar is playing his tracks at live shows due to the incredible amount of bass and the ultra heavy riddims are ultra stupid dope yo.

I actually saw Proko live last year before Nasty Nasty and Proko’s show was great, though a bit unmemorable at the time. Honestly, I don’t remember him playing, I just remember really liking all the music right before dancing my ass off to Nasty Nasty. The event was in Colfax with this sweet, very new production company called Modern Illusion. Those kids throw a party, can’t wait to watch them evolve their events. Check ’em out in Colfax. The crowd was most certainly waiting for the headliner (NastyNasty), so I’m not super surprise I didn’t notice him as much. I don’t think his music was as evolved as this latest EP First Contact back then. But you know, maybe I was just not really paying attention.

Fast-forward a year and Proko’s dropping some of the best bass tunes out there, including his Abduction Mixtape. I like some of the songs even more than G Jones tracks, the basses are just so fresh and interlaced with spicy melodies and groovy drum beats. Check out PROKO’s EP on the soon-to-die platform(just kiiiiiidddddding) Soundcloud.

The First Contact EP

  1. TFF – An intro to the sound of the album, this track is as grimey as it is heavy. A great introduction to the sound design of the album, this track will get you movin.
  2. First Contact – The primary track of the album doesn’t disappoint in any way. The complexity of the sound design is nothing short of sensational. The alien vibes are all too apparent in the track’s sound design. A lot of the sound design reminds me of G Jones, but with a unique spin. This is my favorite track of the album, so much so that I might have to remix it…
  3. Block Streets – Block Streets was release a few weeks earlier than the album and sets the standard for the entire EP. Heavy reverb punctuates nearly every sound and a definite feel of alien voices speaking to you.
  4. Flip it – Flip it is a trippy psychedelic track that continues Proko’s style of alien leads and grimey reese basslines, this track is yyyyuge!! Check out that future trap!
  5. Loud (ft. Nasty Nasty) – Loud is a track to listen to over and over; Nasty Nasty brings his sound to compliment Proko’s. Together they’ve created an illustrious bass-scape that leaves you wondering where the fuck your mind just went.

 

You can see how Proko ranks on my list of up and coming artists here. Support this dude!

Tour:

Catch him in Atlanta on July 29th

Free Download:

Download of the ‘First Contact’ EP FREE here

Follow Proko on Twitter

Follow Proko on Facebook

Other Reviews:

Sputnik: http://www.sputnikmusic.com/bands/PROKO/92037/

Creating EDM all the time

Pusher - the E.T.

What I love (creating tracks like Pusher – the E.T.)

Creating music like Pusher – the E.T. is my passion. There is only one other thing that I like to do as much as make music and that is practicing yoga. The two are very equal in my mind. Kind of like opposite ends of a coin. Music is a huge reason that I have been identifying to heavily with Taoism.

The two arts  have many similarities, and in my experience they occupy kind of the same space. Actually, let’s include teaching yoga in that list, even though teaching yoga feels like much more work than either music or practicing yoga. All three help me to hone my creativity into passions that help me to grow as an individual. My music is in its adolescence, but my yoga is pretty mature (after nearly a decade of practicing). Teaching is becoming more and more of a rock for my mind to output creativity, though it is very taxing and it requires tons of energy.

Making music all the time

Sitting down in front of a computer for 8 hours and just writing music for that entire time has become somewhat second nature to me. I’ve even started going all day, for about 12 hours, though its pretty much impossible to do multiple days of that in a row and still make a quality end-product. I feel like that hard work will make my success inevitable, my sound will just be so polished and powerful.

Recently I bought some new software that I am very excited to use in all of my productions. I am working towards a new computer that is ultra fast. But really, nothing holds me back from pursuing the dreamy kind of soundscapy electro bass house that I’ve always loved. Now, I can do it my way, in my own style.

My latest music video for Pusher is a good example of a track that is perfect for a 3D immersive video experience, but I don’t yet have 3D software. I did my best with Magic Visualizer and this is the result, let me know what you think of it!

Pusher – the E.T. (music video)

The E.T. is is creating tons of new music

I also have several other tracks that I am really looking forward to releasing! I’ve sent some to labels, but I think I am going to plan on releasing the album around 9/1. I am trying to get full artwork created for all of the tracks, so here’s to collaborating with other artists! Also, I am making a collaborative track with Beefus B. Stoked on it, his sound is ultra unique.

Also, I am participating in this contest thing with Bruce Lee lyrics. My track is almost composed, just working on the bass for the drops. Check out the trailer, its hilarious: www.youtube.com/watch?v=GNiY01C75xg

Check back soon for more yoga, music, and updates about my art.

Download & Stream my latest track, Pusher below:

Eprom’s Pineapple EP kills genres and pushes EDM quality higher

Eprom Pineapple_EP_cover

Eprom Rises

Eprom is probably one of the most under-rated modern EDM artists. This dude is more innovative than Skrillex and pushes to the edge of EDM with his new EP, Pineapple. Complete with a killer remix from G Jones (one of the most innovative up and coming edm artists, see my list here), these tracks have indubitably shredded dance floors during the tour and honestly, it sets the bar a whole lot higher for rising bass artists. The level of intricacy of composition and explosive mixing, combined with extremely unique synthesis, piercing leads, and analogue powered bass lines make this album a repeatable adventure through experimental sound. Buy it on Beatport today!

Pineapple EP Tracks

You can also listen FO’ FREE on Soundcloud below:

  1. Pineapple – Definitely the star of the album, its obvious that this track can be listened to a few hundred times before its gets old. The lead and melody are raging and the more subs you put behind it, the more you will feel it due to the superb mix quality.
  2. B.F.G. – enjoy this strong Eprom style track that can be added to probably any DJ set.
  3. Zweihander – Eprom’s unique production skills culminate expressively with this track, probably the most unique of the album’s tracks (mah fav), this track will blow your mind time and time again. Killer basses, as always from Eprom. The outro is killer, my favorite part of the entire Pineapple EP.
  4. Koummaya – fantastic intro, the melody is nothing short of magical. Elements of Future Bass and Trap lace the entire track interwoven within Eprom’ s signature SawBasses. The way he breaks up the composition with reverb and pauses before smashing the 808’s is nothing short of genius. Big sounds in this one.
  5. Pineapple (G Jones remix) – G Jones takes his own spin to Pineapple that is equally interesting. I will say that I don’t think the basses hit as hard, G Jones’ style is more compositional anyways. I like some of the compositional techniques that G Jones uses a bit more. Both have great styles of creation though. Comparisons between the two are kind of unjust. Excellent transitions and powerful uses of FX make this track a powerful part of any DJ set. It might be a bit dancier than the original too, let me know what you think!

The Future of Experimental EDM

Eprom has several other tracks that you should check out, one of my favorites is Center of the Sun, which was actually one of the first tracks that I ever remixed. He creates a lot of his sounds with modular synthesis and I imagine he uses Ableton for his DAW, I’m not sure if that is the case. Eprom is mostly a future trap artist if you were to put him in the box of a genre and his music has some of the most powerfully moving soundscapes that I have ever heard. He rages on the dance floor. Expect big things from this artist in the future, also been on the lookout for some dope Pineapple remixes that bass artists are surely working on right now.

Other Reviews:

EPROM TOUR DATES:

  • July 9th – Bass Coast – Merritt, BC
  • 7/14 – Infrasound – Highbridge, WI
  • 7/15 – Camp Bisco – Scranton, PA
  • July 21st – The Pirate Party -Haugan, MT
  • 8/12 – Project Z – San Bernadino, CA
  • August 18th- 515 ALIVE FESTIVAL- Des Moines, IA
  • 8/19- Fonda Theatre- Los Angeles, CA
  • 8/21- Oregon Eclipse- Antelope, OR
  • August 26th – Raising the Bar 4 – St Louis, MO

Follow Eprom on Twitter