CloZee – Harmony (the E.T. remix)

Get ready for the Harmony Remix, the E.T.’s best track yet. Turn up your speakers to max and clear the tables around you before your insanity commences!

 

the E.T.’s Harmony Remix

This might be the most amount of time I’ve spent on a track. I spent a lot of time getting familiar with the sound design that CloZee uses and learning the key of F minor, which I must say made the experience worth it by itself. This was a great opportunity to learn about some very unique instruments. CloZee makes world music which nearly always uses live instrumentation. This also means that she uses a ton of different instruments.

I focused on re-using her Erhu, Harmonium, Khuur, Zither, Bass, and Guitar samples in the Harmony remix. This is a great Complextro, Bass-House track because her influence is so visible throughout the track. There is a good amount of glitch percussion and weird Bass designs to accompany what is mostly re-used samples from the contest site. I didn’t even experiment with key changes at all, I tried to make the track as recognizable a Harmony remix as possible.

I also created some heavy Bass sounds and creating a darker atmosphere for the track, though I keep the melody in F minor. The percussion mix is solid, I hope you enjoy making dance moves to it.

Sub bass is mixed in properly. My favorite part of the track is the arpeggiated vocal melody that moves fully into the track at the last drop. Initially that last drop was going to be the end of the track, but I couldn’t help but think ‘what a waste of energy!’ so I re-did it. I hope you like the finished version. This track is one of my more cohesive arrangements and most certainly has some of my best mixing and sound design.

The Composition of CloZee’s Harmony – the E.T. remix

The introduction last about 30 seconds and introduces a completely new drumkit, but I did use her clap sound as a layer in the drum rack I used. I added several House Bass sounds to the track as well as re-using CloZee’s mid bass sound in the intro to the 4 bar Complextro loops that the tracks breaks into.

The sub bass keeps the track rolling throughout and little breaks for the heavy bass sounds make for a funky and somewhat unpredictable beat, which I love having in House tracks. It makes the track so much easier to dance to. Verse 1 also introduced my vocal manipulations and the guitar melody that finishes the loops along with the Bass plucks.

I did a good amount of EQ’ing on the various sounds, but I like to keep my EQ’ing to a minimum because sometimes it causes the sounds to lose a lot of texture.

The Final drop is a proper crescendo and introduces a new melody that I created with the vocal samples that were introduced in Verse 1. The Erhu is continuous throughout the track and I feel like that instrument, along with the harmonium make the track instantly recognizable as a CloZee remix. I hope I did the original track at least a bit of justice…

Finally making Glitch-Hop

this new wave of production is going to be epic; I got into music because I loved Glitch-Hop and how it could just drop into a crazy beat out of nowhere, so CloZee’s music has been great to experience while I improve my production skills. BROKE is a milestone for the E.T. that I am really excited about, and will continue to create tracks that remind us that perfection is for robots! I have a track that I’m working on right now called Tinkerbox. It will take the production style of Broke into a new universe.

Finding & Creating Signature Sounds

Lately I have been working heavily with the Juno waveforms within Serum. I created an emulation and it’s by far one of my favorite sounds to use in my tracks. I have also created quite a few pads and ambient sounds with it, but I think it’s use in Glitch music will be the most interesting way to use it.

I’ve also worked hard to good at manipulating vocals into Melodies and Glitch sounds. I continue to experiment and play with the textures and transients (initial hits) of manipulating vocals. They say this is how Kanye made all of his music. Honestly the human voice is incredibly pleasing to the ears, so its probably true.

I designed 90% of the bass sounds in this track. Everything except for the weird lazer Glitch sound CloZee used in the original Harmony mix.  I am now better at mixing as a result of spending so much time on sound design.

A New Wave of the E.T.

I have like 5 tracks in the works right now, including a bombaf TECHNO track called Position. Named after Issaac Assimov’s idea for AI. It reminds me of Gesaffelstein and Pursuit. Also, Digitalism just released a new track, Spectrum which is an awesome dance track! One of my favorite new tracks, I will definitely be fitting it into my live sets. The louder I play it, the better it sounds!

My plan is to DJ a friends B-day party later in the month. I think I might play some originals, but getting people dancing will be so much fun. DJing is super fun with cool people. Right now, I feel pretty repressed when it comes to music, so it should be a great time!

the E.T. continues to improve with my ears, skill-set, and ability to produce music. A lot of this new music is unique; I am turning a corner into a new realm of quality. Definitely shoot me some feedback if you have some!

There is a new FORCE music video up on Youtube, you can subscribe to my channel here, definitely the coolest one I’ve made to date.

Check back soon for more music updates, free tracks, and links to all of the coolest ish on the webs.

Thanks for reading,

Elliot