HAZE an EDM album by the E.T.

Haze is the next level of evolution for the E.T., with 9 brand new tracks and a ton of new inspiration. This is the E.T.‘s fourth independent album and the quality continues to skyrocket. I worked extremely hard on all of these tracks and appreciate any and all of the support that I get.

So without further adieu, enjoy the adventure:

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HAZE – the E.T.

TRACK 1 – HYPER DRIVE

Hyper Drive was one of my favorite tracks ever to produce, I’ve literally spent the last 4 months writing in all of the melodies. I take a lot of influence from Skrillex, Porter Robinson, Odesza, Daft Punk, and Wolfgang Gartner in writing this track and used a lot of sounds that are pretty similar to them.

The intro is a fantastic voyage through the different textures of the track, mostly using the Juno synthesizer from Yamaha, which I am now using in most of my productions. It cascades into a radiant bass-scape with heavy engine shutters and grimey dubstep basses in combination with some really beautiful melodies.

The ending has a synthesizer solo that I created with Serum, its pretty grungy and awesome to listen to and sounds different, every time that I hear it. Enjoy the adventure through sonic space-time!

TRACK 2 – ACID URINE

Acid Urine is a Dubstep track that has actually been finished for a couple of months. I’ve been making final touches to it, so you can definitely consider this one of my more thought out tracks. It is pretty original, lots of weird sound designs in it, but overall it pumps and I think it gives a feeling of future dubstep, kind similar to G Jones. I have a track that I am producing right now that sounds pretty similar to him, so I can see that influence continuing to grow.

Enjoy the heavy bass-lines, it gets really dancy at the end. So glitchy, and yeah the first drop is heavy, turn it up.

TRACK 3 – ESCAPE ENDOR

Escape Endor is probably my favorite track that I have produced. The Arp in combination with the Bass synthesis is just so groovy and in combination with the vocals, its vibes create an almost irresistible booty shaking.

It reminds me of when Walker Boh escaped the Martixy thing in the book Terry Brooks wrote about the Elfstones. Like Neo in the last scene before he becomes a demi-god or whatever.

It’s a little cray, but turn up the bass cause the mix is solid.

TRACK 4 – FORCE

Force is a Bass-House track that kinda came outta nowhere in the last week of writing the album. The melodies and bass are simple, but powerful and fun. Turn up the mix on this one, it will definitely get you dancing.

TRACK 5 – BROKE

Broke is a pretty special track for me in how it represents my continued advancement into the genre of Glitch-Hop. The soundscape is insane and the sub is almost overpowering in the mix, but the sounds of dubstep interlace some glitchy and beautiful melodies.

Broke contains some of my most unique sound designs and many of the sounds will be used in the future to fit into my future trap/bass/glitch-hop tracks.

TRACK 6 – LUCID

Lucid is a Future Dubstep & Trap Adventure that was very much inspired by the music of REZZ, which I find to be hypnotic and a bit simple, but very compelling. This track hits hard and has some really cool bass sounds so make sure you listen with at least a little bit of subwoofer.

TRACK 7 – DISCOVERY

Discovery has my favorite melodies of the entire album. To me, this track is all about inspiration and finding after the search, it really was quite a surprise to come up with some of the excellent sounds that create this dreamscape. Very inspired with my sound design in the Yamaha Juno series, expect some exciting melodies in combination with some filthy bass.

TRACK 8 – HIVE BUZZ

Hive Buzz is a French House track, meaning that I took an old disco sample, then turned it into a house beat. The bass here is undeniably booty-shaking and the melodies are a beautiful contract to create a disco-like future-house atmosphere. Tell your friends!

TRACK 9 – JUNO

Juno is the final track of Haze and contains some of my most ambitious sounds from the album, many of which were created in the Juno synth and from using emulations. It really is an incredibly good sounding synthesizer that represents the 80’s so expect some retro sounds in this track, though the mix is extremely modern. I love the vocal manipulations and how they turn into a kind of atmospheric melody for the track.

HAZE was probably about 500-600 hours worth of total work. I really have worked my ass off for the last 6 months to bring you guys these tracks, so if you enjoy them, please help me to share them. I am also creating a little commentary track on writing the album that I will include with the FREE DOWNLOAD BELOW.

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The Future After HAZE

Now off to the future of the E.T. I am pretty sure that I am going to enter into CloZee’s remix contest, her latest mix with Pretty Lights was spectacular and I absolutely love her sound. It seems to be the perfect next step.

I also have a couple tracks that are in progress, of course 😉 One is called ‘Blow It’ and sounds a lot like G Jones, and I am working towards that level of Glitchy-Future-Trap and Bass tracks. Look forward to the future 🙂

The album will be out on Streaming Services within a week.