new music

crystal cave OUT

the E.T. – Crystal Caves is OUT NOW

Sorry its been so long since I’ve posted about my music here. I’m getting back into the swing of my second job (yoga instruction) and I started a new landscaping business this year, so it has been very difficult to find time for things other than work and relaxing from work, and music requires a lot of attention, effort, and time.

However, I have been working super diligently on my music and continuing my lessons with Noah, aka Noer the Boy, whose music you can check out here. He’s a really talented dude with an incredible grasp on distortion and how to manipulate sound to create ultra heavy beats, so make sure you check out his music. His melodies are also really incredible, make sure you listen to his latest album: Forlorn Hope.

Melodies

The biggest challenge thus far in learning how to write music has certainly been learning to write effective and ear catching melodies. Ideally, to create melodies that resonate and build upon themselves to create an overall harmony that is enjoyable. Thus the release of ‘Mystery’ and ‘Go Big’, which are by far the most melodically oriented tracks I’ve made. I have kinda pushed sound design to the side to explore music theory in more depth and to get a handle on mixing, which has always been really challenging for me (before Noah, I was completely self-taught via youtube). I’m thinking about getting another mentor also just to keep growing in different ways. I’m also working with my buddy who is literally the best guitar player I’ve ever met, Rich Santana, to start making more analog sounds (drums, guitar riffs, bass riffs, etc). I’ve also picked up the Arturia CMI Fairlight and Buchla Easel emulations, which are super fun and incredibly unique instruments.

Mixing

Learning to mix has been quite the journey for me. I got into music because I love sound and experimental beats, similar to Mr. Oizo, Daft Punk, Deadmau5, Eprom, and No Mana, but obviously all of the artists I just mentioned are fantastic mixing engineers. Experimental sound design isn’t really that cool unless you can properly mix the sounds, because of the overlap of the distortion and lack of quiet in certain parts of the frequency spectrum. I am continuing to educate myself on how exactly to mix sounds to create heavier beats and will continue this journey for a few decades, I hope.

Crystal Caves – Elliot’s newest track

This brings me to my latest piece of music, an abstract BASS track that I call Crystal Caves. This is significantly slower than the majority of my music, because I am trying to branch out from my favorite genre, house music, to play with more experimental and heavy rhythms. I’ve also worked out longer intros and some serious layering of melodies in combination with tighter mixes through precise equalizing and compression to make more cinematic music.

Get my music pretty music anywhere

The track is available on most streaming outlets and I’ve actually used a 3rd party distributor for this track instead of using DistroKid, though I am very skeptical of continuing to work with any distributor. I want complete control over my own music, which makes it tough to even send my stuff out to labels. Please share my track with your friends if you like it, I also really appreciate anyone who reaches out to me with a comment or even a buck or two to support my journey in making music. But I really appreciate anyone who is just willing to give my music a good listen.

Follow my releases here: https://linktr.ee/etelford32

Y – Future House

Y is OUT NOW!!!

That is apparently optimal wording for a new track release. You can download the track below, let me know if you have any difficulties.

[purchase_link id=”69483″ style=”button” color=”blue” text=”Y Free Download” direct=”true”]

I used a combination of my favorite drums samples from some Splice packs that I have been collecting for over a year now. The kick is from the Deadmau5 pack, it has some of my favorite drums sounds. The hats in this track are very uniquely arranged, I feel like they add a tremendous amount of momentum.

The Bass is heavily modulated and I’ve create three different layers for it. It should really shine on larger systems.

The Lead is yet another JUNO synth sound, which is still my favorite. I’ve added like 5 different FX channels to it that are all mixed into the drums to give some awesome melodic and pad pumping effects.

The composition came together rather quickly, I am sometimes really surprised at how it just seems to happen on some days when I devote myself to it.

Anyways, I hope you enjoy the track, I will hopefully have time to make a music video for it in the next week or so.

<3 E.T.

Eprom Pineapple_EP_cover

Eprom’s Pineapple EP kills genres and pushes EDM quality higher

Eprom Rises

Eprom is probably one of the most under-rated modern EDM artists. This dude is more innovative than Skrillex and pushes to the edge of EDM with his new EP, Pineapple. Complete with a killer remix from G Jones (one of the most innovative up and coming edm artists, see my list here), these tracks have indubitably shredded dance floors during the tour and honestly, it sets the bar a whole lot higher for rising bass artists. The level of intricacy of composition and explosive mixing, combined with extremely unique synthesis, piercing leads, and analogue powered bass lines make this album a repeatable adventure through experimental sound. Buy it on Beatport today!

Pineapple EP Tracks

You can also listen FO’ FREE on Soundcloud below:

  1. Pineapple – Definitely the star of the album, its obvious that this track can be listened to a few hundred times before its gets old. The lead and melody are raging and the more subs you put behind it, the more you will feel it due to the superb mix quality.
  2. B.F.G. – enjoy this strong Eprom style track that can be added to probably any DJ set.
  3. Zweihander – Eprom’s unique production skills culminate expressively with this track, probably the most unique of the album’s tracks (mah fav), this track will blow your mind time and time again. Killer basses, as always from Eprom. The outro is killer, my favorite part of the entire Pineapple EP.
  4. Koummaya – fantastic intro, the melody is nothing short of magical. Elements of Future Bass and Trap lace the entire track interwoven within Eprom’ s signature SawBasses. The way he breaks up the composition with reverb and pauses before smashing the 808’s is nothing short of genius. Big sounds in this one.
  5. Pineapple (G Jones remix) – G Jones takes his own spin to Pineapple that is equally interesting. I will say that I don’t think the basses hit as hard, G Jones’ style is more compositional anyways. I like some of the compositional techniques that G Jones uses a bit more. Both have great styles of creation though. Comparisons between the two are kind of unjust. Excellent transitions and powerful uses of FX make this track a powerful part of any DJ set. It might be a bit dancier than the original too, let me know what you think!

The Future of Experimental EDM

Eprom has several other tracks that you should check out, one of my favorites is Center of the Sun, which was actually one of the first tracks that I ever remixed. He creates a lot of his sounds with modular synthesis and I imagine he uses Ableton for his DAW, I’m not sure if that is the case. Eprom is mostly a future trap artist if you were to put him in the box of a genre and his music has some of the most powerfully moving soundscapes that I have ever heard. He rages on the dance floor. Expect big things from this artist in the future, also been on the lookout for some dope Pineapple remixes that bass artists are surely working on right now.

Other Reviews:

EPROM TOUR DATES:

  • July 9th – Bass Coast – Merritt, BC
  • 7/14 – Infrasound – Highbridge, WI
  • 7/15 – Camp Bisco – Scranton, PA
  • July 21st – The Pirate Party -Haugan, MT
  • 8/12 – Project Z – San Bernadino, CA
  • August 18th- 515 ALIVE FESTIVAL- Des Moines, IA
  • 8/19- Fonda Theatre- Los Angeles, CA
  • 8/21- Oregon Eclipse- Antelope, OR
  • August 26th – Raising the Bar 4 – St Louis, MO

Follow Eprom on Twitter

Scroll to Top